The Tiny Desk’s magnetism is its intimacy. We strip back lights and a big stage and get to see artists speak honestly about who they are directly to an audience around the world.

This becomes all the more profound during our El Tiny takeover of Latin Music Month, where artists whisper truths and share secrets about community, country, pain and family. Often on production days, artists share with us the importance of each individual song — the stories behind them and why they needed to be played in such an honest space.

So, this week on Alt.Latino we wanted to let you all in on the secrets. Alex Ferreira, Draco Rosa and Los Tigres del Norte shared with us, in their words, what a song they played at the Tiny Desk for this year’s El Tiny takeover meant to them. Hopefully, learning what’s behind the songs will help each show mean a little bit more for all of you, too.

Artists and songs featured in this episode:

(00:40) Mon Laferte, "No Le Regales Tu Corazón"
(04:06) Alex Ferreira, "Monte Adentro"
(13:43) Draco Rosa, "Vagabundo"
(19:58) Los Tigres del Norte, "Somos Más Americanos"

This podcast was produced by Noah Caldwell. Suraya Mohamed is the executive producer of NPR Music.

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The music of Tim Bernardes fits as easily in the poetry of the cosmos as it does in the songwriting canon of his country. Brazil has a legacy of some of the greatest most intricate, emotional songwriting there is, and if you ask me, I’d argue Tim fits right into it. So, I invited him in to play a Tiny Desk for our annual El Tiny takeover. And, of course, I took the opportunity to pull him into the studio after – I absolutely needed to know what he’s been listening to. So, here we are again playing my latest and greatest new game: a special version of our typical guest DJ episode, where I ask them to recall different parts of their lives and themselves through music. No prepared songs or ideas. Let’s call this episode a musical tapestry painted by one of the greatest Brazilian singer-songwriters of this era.  - Anamaria Sayre

Artists and songs mentioned in this episode:

- The Beatles, 'I Want To Hold Your Hand'
- Os Mutantes, 'Caminhante Noturno'
- Milton Nascimento, 'Nuvem Cigana'
- Nelson Cavaquinho, 'Eu E As Flores'
- Gilberto Gil, 'Luzia Luluza'
- Antônio Carlos Jobim, 'Saudade Do Brasil,' 'O Boto'
- Caetano Veloso, 'Minha Mulher'
- Tim Bernardes, 'Realmente Lindo'

This podcast episode was produced by Noah Caldwell. Suraya Mohamed is the executive producer of NPR Music.

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Jazz has often been called America's musical gift to the world. This week's guests remind us not only of the well-documented ways that Cuba revolutionized that gift, but also how it blossomed in South America.

Chilean tenor saxophonist Melissa Aldana and Cuban pianist Gonzalo Rubalcaba stopped by after their recent Tiny Desk performance to chat about their own personal histories with jazz and its lineage in their respective countries. The memories Rubalcaba shares about Havana's jazz scene in the 1980s adds another layer to a story we've talked a lot about on Alt.Latino. And Aldana looks back on her youth learning music from her father and grandfather, both of whom were Chilean jazz pioneers.

The conversation also covers the music they played at the Tiny Desk, which comes from their recent album, 'Filin,' a reexamination of a Cuban musical movement that lasted from the 1940s through the '60s. Ultimately, this week's episode is time spent with two master musicians to hear how their lives and experiences contribute to their mutual appreciation and love of jazz.

Check out Melissa Aldana and Gonzalo Rubalcaba's Tiny Desk Concert here.

This podcast episode was produced by Noah Caldwell. Suraya Mohamed is the executive producer of NPR Music.

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YEИDRY's music is almost as diverse she is. Born in the Dominican Republic and raised in Italy, the singer’s repertoire of genre and sound pulls from multiple continents, and even more unique cultural roots. It’s complicated to explain so many mixed identities, but, as we know quite well at Alt.Latino, music is an easy way to tell a complex story. From the first song she ever heard to a track that brings her peace, we’re presenting a playlist of YEИDRY, the artist and the person. It’s raw, unprepped, and just like YEИDRY: alive and constantly evolving.

Songs discussed in this episode:

- "Ese Hombre" by LA INDIA

- "Guitarra" by Yoskar Sarante

- "Weird Fishes / Arpeggi" by Radiohead

- "Bam Bam" by Sister Nancy

- "To Zion (feat. Carlos Santana)" by Ms. Lauryn Hill, Carlos Santana

- "Paloma" by Angélica Garcia

This podcast episode was produced by Noah Caldwell. Suraya Mohamed is the executive producer of NPR Music.

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Shortly after Los Texmaniacs did what they do best at the Tiny Desk, I pulled them into a studio to chat with them about the traditions they represent with their music. It turned into a master class on the accordion-fueled style known as conjunto, a mix of European folk music and Spanish-language storytelling. Plus, the group shared some love for one of the iconic artists who taught the world how to love conjunto, Flaco Jimenez, and how their personal connection to him also inspired them to move the music forward.  - Felix

Don't miss NPR Music's full coverage of Latin Music Month, with Tiny Desk Concerts featuring Mon Laferte, Los Tigres del Norte, Tim Bernardes, Los Texmaniacs and more starting September 15 at NPR.org.

This podcast episode was produced by Noah Caldwell. Suraya Mohamed is the executive producer of NPR Music.

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This week Ana features two very different Brazilian artists that both draw heavily on the '60s and '70s Tropicália genre. Felix presents two very different approaches to Colombian folkloric music and a new Spanish-language singer-songwriter who turns sadness into light.

Artists and albums featured in this episode:

(01:52) Maglore, 'Fluxo Natural'
(07:13) Indus, 'El Mangle'
(12:42) Candelabro, 'Deseo, Carne y Voluntad'
(17:11) Araña, 'Araña'
(21:07) Lucas Bezerra, 'EU MANDEI MEU AMOR PRO ESPAÇO'
(25:21) Luca de Dios, 'De Amor y Desamor

This podcast episode was produced by Noah Caldwell. Suraya Mohamed is the executive producer of NPR Music.

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I like to think I’m the one who keeps things fresh on the show — or at least that’s what I tell everyone. But this week Felix once again proved that false, bringing in a fresh corridos tumbados duo from Guadalajara who takes a something-old-turned-new genre and smashes it together with metal. It's something I’ve never heard before. What can I say, Felix keeps us all young. I went back to Brazil with some up-and-coming artists whose albums I’ve been excitedly awaiting. And, of course, Felix had to balance things out with one of his favorite jazz vocalists. As per usual, we’re all about whiplash here at Alt.Latino, but in a way that hopefully will make you the favorite DJ at your next fiesta. — Ana

Artists and albums featured in this episode

(03:52) Cultura Profética, 'En bucle'
(09:53) Claudia Acuna, 'Ave de Luz: Chilean Jazz & Soul'
(13:52) Mari Froes, 'Esquina do Sol'
(17:36) Valeria Stewart, 'On A Wing'
(21:17) Raquel Dimantas, 'Cosmo Dorme'
(24:37) Ladrones, 'Arriba La L'

This podcast episode was produced by Noah Caldwell. Suraya Mohamed is the executive producer of NPR Music.

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Latin identity has been at the core of Cypress Hill's music from the very beginning -- their 1991 track "Latin Lingo" gave voice to the Latin roots of hip hop with its funky Spanglish callouts. But it took the band thirty-five more years to make an album of original songs written in Spanish: 'Dios Bendiga,' which was just released. In this episode, Felix chats with the band -- B-Real, Sen Dog and Eric Bobo -- about the influences behind the album, and why this moment felt right to finally make it. Plus, a cameo from the band's longtime producer and turntablist, DJ Lord. 

This podcast episode was produced by Noah Caldwell. Suraya Mohamed is the executive producer of NPR Music.

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Mexico isn't the first place you think of as the cutting edge of experimental electronic music. But two new projects show that might be changing. LATIN MAFIA recently teamed up with British producer Fred again.. to make a bold new album featuring collaborators like Mabe Fratti and Lil Yachty. And the up-and-coming duo RØZ -- comprised of producers Manolo Cabrera and Hugo Lara -- just released their debut album, spinning a dazzling mix of hip hop, gospel and glitchy electronica. This week's episode also features a comically brilliant track from El David Aguilar, cumbia jam rockers Dos Santos, a cover from La Zorra Zapata, and a deep dive from Felix on the many interpretations of Consuela Velazquez's classic "Verdad Amarga."

Artists and albums featured in this episode:

(00:43) LATIN MAFIA & Fred again.., '9 months & 50 hours'
(07:40) Dos Santos, 'Es Amor'
(13:12) El David Aguilar, 'VIGENTE'
(18:42) Miguel Zenón & Luis Perdomo, 'El Arte de Bolero, Vol. 3'
(25:23) RØZ, 'SE ESTÁ HACIENDO TARDE'
(29:11) La Zorra Zapata, 'I Love You Baby'

This podcast episode was produced by Noah Caldwell. Suraya Mohamed is the executive producer of NPR Music.

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Harry Styles just finished a 5-night run in Mexico City. You know who else had a 5-night run in Mexico City? Michael Jackson in 1993.

Mainstream artists have a long history of being enticed by the energy of performing for a Latin American crowd … which means there’s also a long and less-known history of big pop stars making music for that audience.

Did you know Michael Jackson has a Latin track? So does Madonna. A few actually.

As early as the '50s, Nat King Cole experimented with Spanish and released an entire record, Cole Español, writing songs in partnership with legendary "Bésame Mucho" composer Consuelo Velásquez.

This week’s Alt.Latino is a pop takeover. We’re mythbusting the idea that there’s only been one kind of crossover — from Latin to mainstream — and walking through a long history of mainstream wanting to go… Latin.

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To celebrate Ana's world premiere as a DJ -- a gig playing for 5,000 people in Central Park, which she definitely, absolutely prepared for -- this week we present her summer playlist. We've got song of the summer contenders (Aitana's "SUPERESTRELLA"), sleeper hits we missed when they dropped (Quevedo's "EL BAIFO"), and bubbly classics-in-the-making we keep coming back to (Rawayana's "Se Vienen Cositas"). Plus, Felix balances the bangers with chill-out room Uruguayan jazz, a psychedelic guitar jam and a trio of sisters from Austin.

Artists and songs featured in this episode:

(02:23) Quevedo, "EL BAIFO"
(05:07) Camilo y los Cruzers, "Descarga Rockeada"
(09:23) Aitana, "SUPERESTRELLA"
(16:44) Alejandra Gala, "I Dare You"
(22:14) Rawayana, "Se Vienen Cositas"
(25:51) The Tiarras, "Vida Libre", "Black Sheep (unplugged)"

This podcast episode was produced by Noah Caldwell. Suraya Mohamed is the executive producer of NPR Music.

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Bill Evans might not be techno. But in this week's episode, the slow-building angst and tension of electronic producer Debit's new music reminded Ana of the beloved jazz piano master. And that kind of genre cross-pollination is everywhere in this week's showcase of new music: Brazilian field recordings remixed for the club, multiple reinterpretations of the Cuban guaguancó, and Spanish producers channeling -- as Ana puts it -- "experimental Boricua stuff."

Featured artists and albums:

(00:45) Various Artists, 'Candomblé: Sacred Rhythms in Brazil'
(04:24) Ítallo, 'CATATAU'
(11:25) Debit, 'Potpourri'
(16:41) Calequi y Las Panteras, 'TRES'
(21:07) Carolina Oliveros, 'Oye Camina'
(24:35) BLAYA, 'Your lesbian neighbour is playing music next door'

This podcast episode was produced by Noah Caldwell. The executive producer of NPR Music is Suraya Mohamed.

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We'll take any excuse to talk about the insane quality of music coming out of Spain these days. This week, we got one: Spain defeated Argentina on Sunday to win the 2026 World Cup Final. So, this episode is a celebration of the multitude of music scenes across Spain that we can't get enough of. Catch boundary-pushing electronic and hip hop producers in Madrid, indie rockers and songwriters in Barcelona, and some old favorites whose voices never stop (looking at you, Buika!). 

Artists featured in this episode:

(01:22) C. Tangana
(04:19) Ralphie Choo
(06:28) Mora
(10:10) Bikôkô
(13:52) Buika
(16:04) Repion
(20:42) Lucia Fumero
(23:12) Maestro Espada

This podcast episode was produced by Noah Caldwell. Suraya Mohamed is the executive producer of NPR Music.

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With last week's best-of show behind us, we've got a clean slate to dive into our favorite new music kicking off the second half of the year. Felix brings a batch of country tracks, while Ana -- to absolutely no one's surprise -- continues her exploration of Brazil's endless supply of captivating music. Catch a mesmerizing indie-ambient album from João Carvalho, some posthumous crooning from Raul Malo, the twangy return of Oklahoma's rising star Wyatt Flores, and much more.

Artists and albums featured in this episode:

(01:13) Cruz Contreras & The Black Lillies, 'Gold and Roses (Live)'
(06:15) João Carvalho, 'Uma Festa no Centro do Vazio'
(13:02) Raul Malo, 'Bella Ciao: Raul Malo Live In Nashville'
(17:14) Rincon Sapiência, 'Um Corpo Preto'
(24:13) Wyatt Flores, 'Scared of Heights'
(27:50) Cupido, 'Maldito Cupido'

This podcast episode was produced by Noah Caldwell. Suraya Mohamed is the executive producer of NPR Music.


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It’s that time of the year again: a mix between Christmas and Halloween for me and Felix. We gift you our best album picks of the year so far — and there’s nothing spookier for us than having to choose. So here it is, the music we’ve loved and listened to the most in the first half of 2026, some of the best (in our opinion) from all of Latin America and its diaspora. — Anamaria Sayre

Artist and albums featured in this episode:

(02:15) Trueno - 'TURR4ZO'
(07:06) Jonathan Suazo - 'Ricano Vol. 2: Fruto de mi Corazón'
(11:16) Broke Carrey - 'HIJO DEL PAÍS'
(15:48) X Alfonso - 'AIRE'
(22:28) Silvia Pérez Cruz - 'Oral_Abisal'
(29:30) Nuevos Rios - 'Nuevos Rios'
(32:17) Criolo, Amaro Freitas & Dino d'Santiago - 'CRIOLO, AMARO E DINO'
(37:33) Sofia Rei - 'Antónima'

This episode was produced by Noah Caldwell. Suraya Mohamed is the executive producer of NPR Music.

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On this week’s Alt.Latino, Anamaria and I both gush about 'Femme Fatale Vol. 2,' the new album from Chilean-Mexican singer Mon Laferte, who is on one of the more amazing creative streaks I've witnessed in a while. Also, Ana and I sometimes unintentionally align when picking new music for the show, and that took place this week with a couple of Brazilian highlights: I chose an artist who records as MOMO., while Ana brought in music from São Paulo-based artist Tijolo. Also this week, Chicago-based artist Sparklmami and an EP from Texan-Mexican singer Iveth Luna that got me thinking about the world of Spanish-language Christian music. —Felix Contreras

Artists & albums featured in this episode:

(01:31) Sparklmami, 'in this body'

(06:36) The Animeros, '¡Qué Bárbaro!'

(09:51) Mon Laferte, 'Femme Fatale Vol. 2'

(16:47) Iveth Luna, 'Making Ways'

(21:34) Tijolo, 'Y'

(25:37) MOMO., 'Tum Tum Tum'

This podcast episode was produced by Noah Caldwell and edited by Otis Hart. Suraya Mohamed is the executive producer of NPR Music.

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This week's episode is a musical time machine. In the late 1960s, the band Zapata sprang out of a street gang in northwest Washington, D.C., with a sound that combined a variety of contemporary styles: Afro-Caribbean rhythms, soul jazz and the golden era of American R&B. The mixture worked. For a few years, Zapata opened for an astonishing number of A-list acts passing through the city, like Miles Davis, Sly and the Family Stone, Herbie Hancock and The Isley Brothers. But the band would break up in 1974, and for years their recorded material was believed to be lost. Now, surviving member Pepe Gonzalez has restored a cassette tape of Zapata's music from 1971, and is releasing it for the first time. In this episode, Felix chats with Gonzalez about the origins of the band, and how they tried to unify the Black and Hispanic musical scenes in the city at the time.

The podcast episode was produced by Noah Caldwell and edited by Otis Hart. Suraya Mohamed is the executive producer of NPR Music.

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We're living in a moment when the geopolitical intersects with the personal in a profound way. The relationship between the United States and Cuba is once again in the news, and it happens at a time when there are a handful of new releases from Cuban artists on the island and around the world. The sounds of the albums are vastly different, but they all draw from the same deep well of inspiration that has always fueled Cuban music: a deep love for the intersection of cultures. The music we share this week is a reminder of the very real lives of the people caught in the middle of a situation with an uncertain outcome. It is joyous, contemplative, rhythmically sophisticated and lyrically profound. Just like all Cuban music.

Artists & songs featured in this episode:

(00:52) OKAN, "Ajé (Owo Nla Nla)"
(03:30) Ibeyo, "Aset"
(06:45) Orquesta Akokán, "No Me Voy" 
(11:50) Cimafunk, "Cocinarte"
(15:47) X Alfonso, "Unicornio"

This podcast episode was produced by Noah Caldwell. Suraya Mohamed is the executive producer of NPR Music.

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Ruben Ramos' life story mirrors the history of what we now know as Tejano music. His family's musical roots in Texas go back to 1918, and as a boy he was brought into the family bands, first as a drummer and then as a vocalist. He's been playing big band-inflected Tejano music now for more than six decades, and just released a tribute album tracing that musical lineage, called 'Los Días de Calor.' In this episode, Felix chats with "El Gato Negro" Ramos about the history of Tejano music across the twentieth century, and how his own story fits inside of it. 

This podcast episode was produced by Noah Caldwell. Suraya Mohamed is the executive producer of NPR Music.

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We don’t often get to discuss the ways that Latin American music made its way west across the Pacific Ocean. But this week we have two incredible projects that celebrate that journey. First, a Japanese band that fuses traditional minyo folk sounds with cumbia and other Latin rhythms. Then, a project that unearths a forgotten history of the 19th century Mexican cowboys who went to Hawaii to help manage livestock.

Plus, a tribute to Afro-Colombian folk legend Totó La Momposina, who passed away this month at 85; an underrated Puerto Rican reggaetonero shines again; and, of course, Ana continues her Brazilian obsession with new tracks from up-and-comer Bebé.

Artists and albums featured in this episode:

(00:55) Bebé - 'Dissolução'
(05:45) Minya Crusaders - 'From Japan With Love'
(10:06) Álvaro Díaz - 'OMAKASE'
(17:35) Los Cenzontles - 'Adios Ke Aloha: Waves of the Same Sea'
(23:05) Orestes Gomez - 'No me fui porque quise'
(28:04) Totó La Momposina - Various

This podcast episode was produced by Noah Caldwell. Suraya Mohamed is the executive producer of NPR Music.


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Two different pioneers - from two different continents - are at the heart of this episode of new music. Since the late 1980s, Gipsy Kings have been infusing Catalan rumba flamenca with a pop sensibility that defies the purists. Their new single "Historia," from an upcoming album of the same name, shows they've still got that punchy danceability forty years on. And across the pond, Mexican rocker and songwriter Julieta Venegas explores the musical roots of her norteña heritage on a new album, playing with the biculturalism that defines so much of life along the border.

Plus, Las Añez brings twin harmonies to Andean folk-pop, Helado Negro teams up with Reyna Tropical, Mexican upstart Esteesgarcia confounds Ana and Felix, and more!

Artists & songs featured in this episode:

(00:22) Las Añez - "Cebolla", "Libéralo"
(05:21) Helado Tropical - "Tocando"
(09:44) Esteesgarcia - "south kids", "Okupa"
(14:35) Gipsy Kings - "Historia"
(23:23) Julieta Venegas ft. Yahritza y Su Esencia - "La Línea"
(25:53) bpuntito - "colitaderana", "después"
(31:29) Ana Moura & MARO -  "Era de Aquário/Deixa o Sol Entrar"

This podcast episode was produced by Noah Caldwell. Suraya Mohamed is the executive producer of NPR Music.

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Since 2014, we've been hitting bands up to send in their videos for the opportunity to win the Tiny Desk Contest. And almost from the beginning, Alt.Latino has been pulling aside the bands and artists that play Latin music. It’s always been a highlight to see the incredible talent that's out there night after night in bars, clubs, community centers, street parties and backyards, finding new ways to express their Latino identity through music. This year was no different.

We waded through hundreds of entries to select the six to feature this week, which showcase a huge variety of musical expressions.

And a reminder: you can see every band that sent in a video this year right here - and a big shout out to this year’s winner, Cure For Paranoia!


Artists and songs featured in this episode:

(04:10) Sofia Gomez, "Without Me"
(07:58) Ed Harvest, "Me Toca Despedirme de Ti"
(11:05) alegrías, "Wahoo!"
(16:05) Ivan Llanes and Friends, "Cubahia"
(22:27) Majo Puente, "MAKTUB"
(25:56) Thee Almighty Majestics, "Última Noche"

This podcast episode was produced by Noah Caldwell. Suraya Mohamed is the executive director of NPR Music.

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I've been dying to interview Argentine artist Milo J ever since he came to NPR earlier this year to perform at the Tiny Desk. The 19-year-old started his career as a trap artist, but his latest album, 'La Vida Era Más Corta,' mines Argentine folklore to present a bold vision of his country that resonates deeply with younger generations. That Tiny Desk was just released -- and became one of our fastest-growing shows ever -- so we figured the time was right to call up Milo J and dig into it all. And just a note up front: this interview is entirely in Spanish.    

Llevaba mucho tiempo con ganas de entrevistar al artista argentino Milo J desde que vino a NPR a principios de este año para tocar en Tiny Desk. Este joven de 19 años comenzó su carrera como artista de trap, pero su último álbum, 'La Vida Era Más Corta,' se inspira en el folclore argentino para presentar una visión audaz de su país que conecta profundamente con las generaciones más jóvenes. Ese Tiny Desk acaba de salir al aire y ya se ha convertido en uno de nuestros shows de mayor crecimiento, así que pensamos que era el momento ideal para llamar a Milo J y profundizarlo. Y una nota previa: esta entrevista es completamente en español.

- Anamaria Sayre

You can watch the full Tiny Desk performance at NPR.org

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Fusion is at the heart of so much of the music we cover - especially on this week's episode. Flamenco producers descend on Hermosillo to experiment with regional Mexican music. Young Argentine artists blend trap with folk and rock en Español. A sunny Rio sound is born in Spain. Plus, a New Mexican string band, an Afro-Brazilian collective and an exploration of Latin roots from Cypress Hill.  

Artists and albums featured in this episode:

(02:26) Trueno, 'TURR4ZO'
(09:37) Lone Piñon, 'Hot Carne Seca'
(13:20) Chanela Clicka, 'COBRA'
(18:50) Cypress Hill, 'Dios Bendiga'
(22:30) Leo Middea, 'Notícias de Puglia'
(25:28) Mandinga Beat, 'Afro-Brazil'

This podcast episode was produced by Noah Caldwell. Suraya Mohamed is the executive producer of NPR Music.

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This week's new music show spans the breadth of Latin America. Argentine indie artist Paula Prieto goes experimental. Venezuelan reggaeton pioneers Chino y Nacho return to the limelight. Brazilian singer Marina B reminds Felix of The Beatles. Guatemala's Doctor Nativo pays homage to the "caminantes" heading north to find a better life. Plus, Latin punk from San Antonio, and a celebration of Afro-Cuban legend Arsenio Rodriguez.

Artists and albums featured in this episode:

(00:46) Chino y Nacho, 'Radio Venezuela'
(05:30) FEA, 'Careful'
(10:11) Paula Prieto, 'TEMPORAL, LP.'
(16:27) Bobby Sanabria Multiverse Big Band, 'Arsenio And Beyond'
(22:30) Midnight Cafe & Marina B, 'À Flor da Pele (Lonely Man)'
(25:34) Doctor Nativo & Roco Pachukote, 'Caminantes'

This podcast episode was produced by Noah Caldwell. Suraya Mohamed is the executive producer of NPR Music.

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Jorge Drexler is one of the most decorated singer-songwriters in Latin America. His albums are always high profile events, and his latest record merits the attention. It's called Taracá, and to make it he returned home to his native Uruguay - after living in Spain for 30 years - to explore the roots of an Afro-Uruguayan tradition known as candombe. On this week's episode we chat with Drexler about the motivation for returning to his home country, making music after losing his parents, and how the album's title reflects the sound made by a candombe drum.

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Listen to this episode out in the springtime air. It starts with a bucolic jaunt through Brazilian guitarist Fabiano do Nascimento's latest orchestral project, then finds La Plazuela's fresh Spanish funk and Macha's irreverent side project. Other sounds along the way: Caribbean pop from Venezuela, feel-your-feels indie from northern Mexico and an electronic spin on the indigenous Náhuatl language.

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Two phrases spoken during this week’s episode stand out because they represent how Ana and I approach our searches for new music. The first: “The only limit is the imagination.” In my constant hunt for the sound I have never heard, this thought is my mantra. The new music we’re bringing this week really steps up to that challenge, from young upstarts like Broke Carrey to beloved veterans like Draco Rosa.

The second phrase? “Latin music is a geography, not a genre.” Ana put into words something she and I talk about often, the idea that the term “Latin music” is no longer adequate to reflect that amazingly eclectic forms of musical expression in the Spanish-speaking world. This episode features musicians from Argentina, Peru, the Dominican Republic and elsewhere -- but what they share is a distinct artistic expression that consistently blows our minds.

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From the very beginning of Alt.Latino, female vocalists have captivated us the most -- and New York-based Argentine vocalist Sofia Rei has been high on our list of favorites for a while. She uses the human voice like paint on a canvas, layering voices to create choirs that take flight at the mere suggestion of a melody. On her new album Antónima, she not only creates magic with her own voice but also collaborates with some Alt.Latino favorites: Gaby Moreno, Daymé Arocena and Xenia Rubinos, among others. As we revive our Guest DJ series, we asked her to bring on some of the songs she loves, for an insider's perspective of the art behind the human voice. 

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This week's new music pairs well with a glass of wine - or, at least, that's what Ana chose while taping this happy hour edition of Alt.Latino at Felix's dining room table. And the music on tap spans a huge breadth of styles. Yahritza y Su Esencia returns with a powerful sophomore album after a spell out of the limelight. Brazilian legend-in-the-making Lucas Santtana collaborates with his mentor Gilberto Gil. Ana Tijoux revisits her late-'90s hip-hop roots. Plus, Tejano master Ruben Ramos tells his life story through song. 

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International Women's Day is more than a perfunctory holiday in many parts of Latin America. In Mexico City, for example, more than 120,000 people turned out on Sunday to protest femicide and celebrate the ongoing fight for basic rights for women in the country. In honor of the holiday, this week's episode debuts our female power anthems hall of fame, highlighting women in Latin music whose art challenged the status quo of their time. Plus, some on-the-ground reporting from Anamaria Sayre at the march in Mexico City.

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On Feb. 21, the musical world lost a legend and pioneer of salsa: Willie Colón.

The trombonist, songwriter, producer and arranger was a key part of the transition of Afro-Caribbean dance music from regional traditions to worldwide popularity. For an insider’s perspective on that history, this week we speak to trombonist and bandleader Angel “Papo” Vázquez, a Philadelphia-born musician who was not only inspired to play the trombone by Willie Colón, but also played on some historic recordings by Colón and other Fania Records notables.

The best music tells great stories, and the same can be said about musicians. Vázquez brings along five tracks by Willie Colón that set him, and the rest of the world, on a path of deep appreciation for Colón’s contributions to salsa.

This podcast episode was produced by Noah Caldwell. The executive producer of NPR Music is Suraya Mohamed

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This week on Alt.Latino, it's another new music episode with a global panorama: Canary Islands merengue, Chicano soul, Afro-Brazilian roots and more. Plus, a percussion supergroup that Felix could listen to for hours.

Featured artists and albums:

(00:00) Introduction
(00:55) Quevedo, 'NI BORRACHO'
(05:02) Joey Quiñones, 'In a Soul Situation'
(12:24) Carolina Mama, 'Amina'
(15:31) Elipsis, 'Elipsis'
(19:22) Da Cruz, 'Som Sistema'
(23:46) Sofía Rei, 'Antónima'

This podcast episode was produced by Noah Caldwell. Suraya Mohamed is the executive producer of NPR Music.

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So, I was away for a bit and the new music just piled up during the holidays, and while we were watching Bad Bunny make headlines at the Grammys and the Super Bowl. Our first new music episode of the new year has quite a variety of styles from lots of different countries. We could say that about just about every new music show we produce. But what are we to do when the amount of creativity that comes our way pretty much overwhelms us? Jump in for a summertime journey through the many sounds of Brazil, a fusion of indigenous and contemporary styles, and a lost relic of Mexican rock from the 1970s. 

- Felix 

Artists and albums:

(00:00) Introduction
(01:20) Amaro Freitas, Criolo, and Dino D'Santiago, 'CRIOLO, AMARO E DINO'
(09:19) Javier Jara, 'Our Rhythms, Our Voices'
(13:19) Infinito Latente, 'Sem Início Nem Fim'
(19:19) Ernan Roch Con Las Voces Frescas, 'La Onda Pesada'
(24:52) João Menezes &  Paulo Novaes, 'Coisa Híbrida'
(30:02) Líber Terán, 'Canciones Del Desierto'

This podcast episode was produced by Noah Caldwell. The executive producer of NPR Music is Suraya Mohamed.


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Bad Bunny's Super Bowl halftime show was many things: a time-traveling journey through the history of Puerto Rico, a statement of pan-American unity, and a masterpiece of cultural expression. This week, co-hosts Felix Contreras and Anamaria Sayre are joined by Isabella Gomez Sarmiento — who brings on-the-ground reporting from San Juan — to unpack the symbolism embedded in Bad Bunny's performance.

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Last Sunday, Bad Bunny's 'DeBÍ TiRAR MáS FOToS' became the first exclusively Spanish language album to win album of the year at the Grammys. This coming Sunday, the Puerto Rican megastar will perform at the Super Bowl halftime show. For this week's episode, Anamaria Sayre and Isabella Gomez Sarmiento chat about what these two moments mean for Bad Bunny, the island of Puerto Rico, and the role of Latin music in America more broadly.

This podcast was produced by Noah Caldwell. Suraya Mohamed is the executive producer of NPR Music.

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This month we’ve been looking at the music of Venezuela from a lot of different angles. For this episode, we’ve invited trumpet player and producer Ella Bric to be our guest DJ. She shared what she thinks are the most socially, culturally and politically impactful pieces of music to come out of Venezuela in the last half century.

Ella Bric grew up in a migrant-rich town in Venezuela called San Antonio de los Altos, surrounded by a culturally-minded, socially conscious community. She’s now based in New York, and in recent years has positioned herself as a prolific producer on the rise in the Latin music space. In 2018, she won a Latin Grammy for Producer of the Year, and she says her art comes from a curiosity about the state of the world and her desire to reflect that.

(00:00) Introduction
(01:46) La Vida Bohème, 'Hornos del Cal'
(06:41) Betsayda Machado & Parranda el Clavo, 'Sentimiento'
(11:35) María Rodríguez, 'Los Dos Titanes'
(15:11) Ali Primera, 'Techos de Cartón'
(19:52) Linda Briceño & Orlando Watson, 'Unfinished Song'
(24:38) Desorden Público, 'Politicos Paraliticos'
(27:36) Bucle Lunar, 'Subió El Maldito Dolar'

This podcast episode was produced by Noah Caldwell. The executive producer of NPR Music is Suraya Mohamed.


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Sometimes life imitates art - or at least the two can seem eerily connected. On Jan. 1, the Venezuelan band Rawayana released a new album, '¿Dónde Es El After?,' which began with a lyric that many interpreted as a wish for their country's leadership to be gone. A few days later, Venezuelan President Nicolás Maduro was ousted from power and seized by American forces. For this week's episode, we chat with Fofo Story and Beto Montenegro of Rawayana to hear how the album came together, where its sonic influences lie, and how they're reflecting on the seismic changes underway in their home country.

(00:00) Intro
(01:54) How they decided to open the album
(06:26) On the song 'Qué Rico PR!'
(09:36) Caribbean influences growing up
(13:41) Childhood love for merenhouse
(16:13) Adapting tonada folk music
(21:58) Reflections on Venezuela in this moment

This podcast episode was produced by Noah Caldwell. The executive producer of NPR Music is Suraya Mohamed.

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Over the weekend, we lost a musician who shaped the lives of countless people: the late, great Bob Weir. He was a founding member of the Grateful Dead who played guitar, wrote and sang in the band for 30 years. After Jerry Garcia died and the Grateful Dead disbanded in 1995, Weir kept the spirit of the music alive for three more decades, creating new Deadheads for generations to come — he brought John Mayer, Billy Strings and even the National Symphony Orchestra into the Grateful Dead universe. The Deadhead slogan proved to be true: Weir everywhere.

At Alt.Latino, we’re big fans of Bob Weir and his immensely cosmic musical legacy. Over the years, we’ve learned that many Latin musicians are also, metaphorically speaking, on the bus. Today on the show, we celebrate Bob Weir’s life by hearing some of his past interviews on NPR, exploring the Grateful Dead’s influence on artists like Devendra Banhart, and of course, revisiting his magnetic Tiny Desk concert from 2019. We’re incredibly grateful that Bobby came down to this world for a little while to tell us his stories – we hope to see him in the next one. 

(00:00) Intro
(01:38) Bob Weir's early life and Grateful Dead career
(08:05) Grateful Dead at the National Symphony Orchestra
(14:30) Felix and Isa reflect on 'American Beauty'
(20:35) Grateful Dead's impact on Latin musicians
(26:33) Bob Weir at the Tiny Desk

This podcast episode was produced by Noah Caldwell. The executive producer of NPR Music is Suraya Mohamed.

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Venezuela has a deep tradition of reflecting political change through music. This week, as the country reels from the seizure of its president by American forces, we explore the recent history of Venezuelan protest music, and from the Nineties right up until the present. First, we share an excerpt of an episode we made at another moment of political turmoil in Venezuela, in the summer of 2024. Then, we'll walk up to the present and see how some musicians across Latin America are responding to this moment. And a big thanks to NPR Music's Isabella Gomez Sarmiento for being our guide.

(00:00) Intro
(02:06) A history of Venezuelan protest music
(13:39) Social and economic changes under Nicolas Maduro
(14:53) Venezuelan protest music in recent years
(22:21) How artists across Latin America are responding

This podcast was produced by Noah Caldwell. The executive producer of NPR Music is Suraya Mohamed.

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The sheer volume and variety of Spanish-language music released every year is breathtaking. Even those of us with our ears to the ground are bound to miss things. So, in this episode we travel back through the year to resurface some of the remarkable albums that somehow didn't make it on the show. Catch Afro-Caribbean jazz, a history-spanning classical strings project, the return of Juana Molina and much, much more.

Artists and albums featured in this episode:

- Alex Cuba, 'Índole'
- Enyel C, 'Nuevo Caribe'
- Berta Rojas, 'La Huella de las Cuerdas'
- Cazzu, 'Latinaje'
- Conrad Herwig, Eddie Palmieri and Luques Curtis, 'Reflections-Facing South'
- Juana Molina, 'DOGA'

This podcast episode was produced by Noah Caldwell. The executive producer of NPR Music is Suraya Mohamed.

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This year was bookended by two major statements in Latin music. In January, Bad Bunny released DeBÍ TiRAR MáS FOToS, and followed that up with a 31-show residency in Puerto Rico over the summer. Then, in November, the Spanish vocalist Rosalía released her genre-defying masterpiece LUX, which sent legions of music lovers scrambling to try to grasp the magnitude of an album performed in 13 different languages.

But they were only the tip of the iceberg of yet another year of mind-bending creativity in Spanish language music. This week we look back at some of the other artists and recordings that made 2025 another year of adventurous and rewarding listening. These six artists made only a fraction of music that caught our attention. But we only have so much time on these podcasts! Use this as a starting point to explore the year that was on your own. And check out more of NPR Music's coverage of the best music of 2025 here. Enjoy!


Artists and albums featured in this episode:

- Bad Bunny, DeBÍ TiRAR MáS FOToS
- Rosalía, LUX
- Queralt Lahoz, 9:30 PM
- Roxana Amed, Todos los Fuegos
- Arath Herce, Musas en Mi
- Mon Laferte, Femme Fatal
- rusowsky, DAISY
- Lido Pimienta, La Belleza

This episode was produced by Noah Caldwell. The executive producer of NPR Music is Suraya Mohamed.


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Some folks think by December all the releases for the year are complete. Not quite. This week we feature a new music show with albums that should be considered along with the year’s best.  

We've got pop and alternative from Mexico, funk from Colombia, rock and ambient from New York and a Tejano master celebrated by his fellow Texans. Plus, Felix brings the zen. 

Artists and songs featured in this episode: 

- Diles que no me maten, 'Manos de Piedra - Revisitada'
- Dianna Lopez, 'Sun Frequencies (Renewal)'
- HUMBE, 'fantasmas'
- Rene Lopez, 'Any Chance'
- Duplat, 'Vete del País'
- Ruben Ramos. 'El Año Viejo (ft. Gaby Moreno)'

This podcast was produced by Noah Caldwell. The executive producer of NPR Music is Suraya Mohamed.

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The annual Latin Grammy awards are always full of glamour and glitz. But they're also an ideal time to take the pulse of the industry - which is exactly what Anamaria Sayre did this year, perusing the red carpet to talk with the most exciting names in Latin music. 

In this episode, Ana brings Felix her report from Las Vegas, where Bad Bunny won Album of the Year, the independent Brazilian music scene made a splash, and the whole industry seemed to be saying: "Show us where you're from."

This podcast episode was produced by Noah Caldwell. The executive producer of NPR Music is Suraya Mohamed.

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Spanish vocalist and composer Rosalía has been a major presence in Spanish language music since she released her 2018 album, "El Mal Querer." She started by leaning into her flamenco roots, but since then she has expanded her musical vision to become one of those musicians who defies category.

Her new album "LUX" stretches that descriptor to its limit. Her musical tools this time include the London Symphony Orchestra, singing in 13 languages, guests like Icelandic performer Björk, and her own vocals that hit operatic heights. This week, Ana and Felix dissect the album and play excerpts from Ana's interview with Rosalía. How can you go wrong?

You can read extended highlights of Ana's interview with Rosalía at NPR.org

This episode was produced by Noah Caldwell. The executive producer of NPR Music is Suraya Mohamed.


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Ever since I heard the Argentine saxophonist Gato Barbieri back in the Seventies, I’ve been fascinated by musicians from South America who found their way to jazz.

Lately there seems to be a strong showing of contemporary musicians from various Latin American countries who not only play jazz but also mix certain Latin American folk traditions into their sound.

So, this week I spoke with six of them: vocalist Claudia Acuña from Chile, Argentine vocalists Sofia Rei and Roxana Amed, Mexican vocalist Magos Herrera, guitarist/vocalist Camila Meza and tenor saxophonist Melissa Aldana.

Each has a story about identity, living the jazz dream and how they came to jazz.

Hopefully you’ll use this roadmap to start your own journey into jazz, if you haven’t already.

- Felix


Music heard in this episode:

Claudia Acuña - “Prelude To A Kiss”
Sofia Rei - “El Gavilán”
Gato Barieri - “To Be Continued”
Roxana Amed - “Corazón delator”
Mangos Herrera - “Luz de Luna”
Camila Meza - “Utopia”
Melissa Aldana - “A Purpose”

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Not to sound like a broken record, but I'll say it again: the variety of creative expression in what is inadequately labeled "Latin music" continues to astound me.

From the bossa nova-by-way-of-Guatemala of Fabuloso and Los Skeepers, to the evolving torch singing of the Chilean-via-Mexico vocalist Mon Laferte, to the ‘Western noir’ of California singer Andrés Miguel Cervantes, to Nathy Peluso’s Argentine take on Seventies New York City salsa, to jazz from southern Spain’s Chano Domínguez... how do we even try to keep up with this kind of output?

Someone has to do it, and we’re glad it’s us.

Featured artists and songs:

- Milo J, 'OLIMPO', 'Bajo De La Piel', 'Jangadero'
- Fabuloso & Los Skeepers, 'Si Te Gusta'
- Mon Laferte, 'Las Flores Que Dejaste En La Mesa', '1:30'
- Chano Domínguez & Emaginario, 'March Of The Siguiriyas'
- Nathy Peluso, 'ÁNGEL'
- Andrés Miguel Cervantes, 'Dreams of Jacumba'


This podcast episode was produced by Noah Caldwell. The executive producer of NPR Music is Suraya Mohamed.

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The past month has been a whirlwind. The El Tiny takeover of the Tiny Desk... interviews with some of the most exciting artists in Latin music... and, of course, puppets! So, for today's episode, we emerge from the craziness and dig into our neglected mailbag, which is brimming with new music. What did we find? Simple beauty. A young songwriter from Veracruz whose spare compositions have wowed his elders. An offbeat producer from Madrid. And, a joyful ode to a city half a millennium old. 

Featured artists and songs:

- Arath Herce, "Musas en Mi" and "Quien Pensaría"

- iLe, "Si Te Contara"

- TRISTAN!, "Voyage" and "Ártico"

- Venezonix ft. Pahua, "La Soledad"

- Meme de Real, "Estaba Sentado" and "Embeces"

- Bomba Estereo ft. Carlos Vives, "La Samaria"


This podcast was produced by Noah Caldwell. The executive producer of NPR Music is Suraya Mohamed.

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There's no question that Mexican vocalist and composer Silvana Estrada is special to Alt.Latino. Ever since she launched her 2022 album "Marchita" with a series of revelatory singles, she seemingly spoke directly to Alt.Latino co-host Anamaria Sayre.

Since those earliest days, the two have been able to spend quite a bit of time together in interviews and other public gatherings, which only brought them closer on a personal level. Now, as Estrada releases her new album, "Vendrán Suaves Lluvias," and celebrates the publication of her Tiny Desk Concert, it seemed like a good time to sit in on the ever-flowing conversations between the two of them.

The result is a conversation that is probably a lot more personal than you’re used to. And that’s OK. Because Silvana is a performer of complex emotions, and while you can experience those emotions through songs, sometimes you have to hear things for yourself. Enjoy.

This podcast episode was produced by Noah Caldwell. The executive producer of NPR Music is Suraya Mohamed.

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Gloria Estefan is one of those musicians whose work and mere presence in the record industry deserves without question platitudes like ‘pioneering’ or ‘ground breaking.’ In fact, we have often mentioned her in that light throughout the 15 years of Alt.Latino. So it was a thrill to invite her to chat with us once again, this time immediately after a stunning Tiny Desk performance that will publish Oct. 13. She gives serious Favorite Tiá vibes, and since she and Felix are close in age, it felt like a conversation with a good friend with a fascinating life story - who just happens to have one of the richest song catalogs in Latin music history.

This podcast episode was produced by Noah Caldwell. The executive producer of NPR Music is Suraya Mohamed.

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