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Broadway Is My Beat

Broadway Is My Beat

The era of radio drama was a time when storytelling was a purely auditory experience, and "Broadway Is My Beat" was a shining example of this art form. Running on CBS from 1949 to 1954, this radio crime drama painted a vivid picture of New York City's underbelly, with Times Square Detective Danny Clover at the center of the action.The show began with Anthony Ross voicing Detective Clover, bringing to life the gritty streets of New York during its first three months. However, it was Larry Thor who would become synonymous with the role for the remainder of the series. The atmospheric music by Robert Stringer and scripts by Peter Lyon set the tone for the dark and moody narratives that unfolded each week.Directed by John Dietz and later produced by Lester Gottlieb, "Broadway Is My Beat" made a significant move from New York to Hollywood. This transition marked a new era for the show, with producer Elliott Lewis at the helm, introducing new scripts by Morton S. Fine and David Friedkin. The iconic opening theme, "I'll Take Manhattan," perfectly encapsulated the essence of Detective Clover's world, from Times Square to Columbus Circle.The show was a collaborative effort, with music by Wilbur Hatch and Alexander Courage complementing the storytelling. The sound effects team, consisting of David Light, Ralph Cummings, and Ross Murray, played a crucial role in recreating the bustling soundscape of Manhattan.The announcers, Bill Anders and Joe Walters, along with a supporting cast featuring Charles Calvert and Jack Kruschen, brought additional depth to the series. Notable guest stars from television, radio, and film graced the episodes, adding star power and variety to the show's roster."Broadway Is My Beat" remains a testament to the golden age of radio drama, showcasing the power of sound to transport listeners to another time and place. It serves as a reminder of the rich history of storytelling before the visual dominance of television and film. For those who yearn for the nostalgia of radio's heyday, "Broadway Is My Beat" is a timeless treasure worth revisiting.Listen to our radio station Old Time Radio https://link.radioking.com/otradioListen to other Shows at My Classic Radio https://www.myclassicradio.net/Entertainment Radio | Broadcasting Classic Radio Shows | PatreonRemember that times have changed, and some shows might not reflect the standards of today?s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio

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Episodes

Broadway Is My Beat_49-03-06_(002)_The Andrew Jenkins Case

The era of radio drama was a time when storytelling was a purely auditory experience, and "Broadway Is My Beat" was a shining example of this art form. Running on CBS from 1949 to 1954, this radio crime drama painted a vivid picture of New York City's underbelly, with Times Square Detective Danny Clover at the center of the action.
The show began with Anthony Ross voicing Detective Clover, bringing to life the gritty streets of New York during its first three months. However, it was Larry Thor who would become synonymous with the role for the remainder of the series. The atmospheric music by Robert Stringer and scripts by Peter Lyon set the tone for the dark and moody narratives that unfolded each week.
Directed by John Dietz and later produced by Lester Gottlieb, "Broadway Is My Beat" made a significant move from New York to Hollywood. This transition marked a new era for the show, with producer Elliott Lewis at the helm, introducing new scripts by Morton S. Fine and David Friedkin. The iconic opening theme, "I'll Take Manhattan," perfectly encapsulated the essence of Detective Clover's world, from Times Square to Columbus Circle.
The show was a collaborative effort, with music by Wilbur Hatch and Alexander Courage complementing the storytelling. The sound effects team, consisting of David Light, Ralph Cummings, and Ross Murray, played a crucial role in recreating the bustling soundscape of Manhattan.
The announcers, Bill Anders and Joe Walters, along with a supporting cast featuring Charles Calvert and Jack Kruschen, brought additional depth to the series. Notable guest stars from television, radio, and film graced the episodes, adding star power and variety to the show's roster.
"Broadway Is My Beat" remains a testament to the golden age of radio drama, showcasing the power of sound to transport listeners to another time and place. It serves as a reminder of the rich history of storytelling before the visual dominance of television and film. For those who yearn for the nostalgia of radio's heyday, "Broadway Is My Beat" is a timeless treasure worth revisiting.

Listen to our radio station Old Time Radio https://link.radioking.com/otradio
Listen to other Shows at My Classic Radio https://www.myclassicradio.net/
Entertainment Radio | Broadcasting Classic Radio Shows | Patreon

Remember that times have changed, and some shows might not reflect the standards of today?s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio
2020-08-22
Link to episode

Broadway Is My Beat_49-07-21_(002)_The Otto Prokosh Murder Case

The era of radio drama was a time when storytelling was a purely auditory experience, and "Broadway Is My Beat" was a shining example of this art form. Running on CBS from 1949 to 1954, this radio crime drama painted a vivid picture of New York City's underbelly, with Times Square Detective Danny Clover at the center of the action.
The show began with Anthony Ross voicing Detective Clover, bringing to life the gritty streets of New York during its first three months. However, it was Larry Thor who would become synonymous with the role for the remainder of the series. The atmospheric music by Robert Stringer and scripts by Peter Lyon set the tone for the dark and moody narratives that unfolded each week.
Directed by John Dietz and later produced by Lester Gottlieb, "Broadway Is My Beat" made a significant move from New York to Hollywood. This transition marked a new era for the show, with producer Elliott Lewis at the helm, introducing new scripts by Morton S. Fine and David Friedkin. The iconic opening theme, "I'll Take Manhattan," perfectly encapsulated the essence of Detective Clover's world, from Times Square to Columbus Circle.
The show was a collaborative effort, with music by Wilbur Hatch and Alexander Courage complementing the storytelling. The sound effects team, consisting of David Light, Ralph Cummings, and Ross Murray, played a crucial role in recreating the bustling soundscape of Manhattan.
The announcers, Bill Anders and Joe Walters, along with a supporting cast featuring Charles Calvert and Jack Kruschen, brought additional depth to the series. Notable guest stars from television, radio, and film graced the episodes, adding star power and variety to the show's roster.
"Broadway Is My Beat" remains a testament to the golden age of radio drama, showcasing the power of sound to transport listeners to another time and place. It serves as a reminder of the rich history of storytelling before the visual dominance of television and film. For those who yearn for the nostalgia of radio's heyday, "Broadway Is My Beat" is a timeless treasure worth revisiting.

Listen to our radio station Old Time Radio https://link.radioking.com/otradio
Listen to other Shows at My Classic Radio https://www.myclassicradio.net/
Entertainment Radio | Broadcasting Classic Radio Shows | Patreon

Remember that times have changed, and some shows might not reflect the standards of today?s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio
2020-08-22
Link to episode

Broadway Is My Beat_49-07-28_(003)_The Paul Thomas Murder Case

The era of radio drama was a time when storytelling was a purely auditory experience, and "Broadway Is My Beat" was a shining example of this art form. Running on CBS from 1949 to 1954, this radio crime drama painted a vivid picture of New York City's underbelly, with Times Square Detective Danny Clover at the center of the action.
The show began with Anthony Ross voicing Detective Clover, bringing to life the gritty streets of New York during its first three months. However, it was Larry Thor who would become synonymous with the role for the remainder of the series. The atmospheric music by Robert Stringer and scripts by Peter Lyon set the tone for the dark and moody narratives that unfolded each week.
Directed by John Dietz and later produced by Lester Gottlieb, "Broadway Is My Beat" made a significant move from New York to Hollywood. This transition marked a new era for the show, with producer Elliott Lewis at the helm, introducing new scripts by Morton S. Fine and David Friedkin. The iconic opening theme, "I'll Take Manhattan," perfectly encapsulated the essence of Detective Clover's world, from Times Square to Columbus Circle.
The show was a collaborative effort, with music by Wilbur Hatch and Alexander Courage complementing the storytelling. The sound effects team, consisting of David Light, Ralph Cummings, and Ross Murray, played a crucial role in recreating the bustling soundscape of Manhattan.
The announcers, Bill Anders and Joe Walters, along with a supporting cast featuring Charles Calvert and Jack Kruschen, brought additional depth to the series. Notable guest stars from television, radio, and film graced the episodes, adding star power and variety to the show's roster.
"Broadway Is My Beat" remains a testament to the golden age of radio drama, showcasing the power of sound to transport listeners to another time and place. It serves as a reminder of the rich history of storytelling before the visual dominance of television and film. For those who yearn for the nostalgia of radio's heyday, "Broadway Is My Beat" is a timeless treasure worth revisiting.

Listen to our radio station Old Time Radio https://link.radioking.com/otradio
Listen to other Shows at My Classic Radio https://www.myclassicradio.net/
Entertainment Radio | Broadcasting Classic Radio Shows | Patreon

Remember that times have changed, and some shows might not reflect the standards of today?s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio
2020-08-22
Link to episode

Broadway Is My Beat_49-08-04_(004)_The Dr Robbie McClure Murder Case

The era of radio drama was a time when storytelling was a purely auditory experience, and "Broadway Is My Beat" was a shining example of this art form. Running on CBS from 1949 to 1954, this radio crime drama painted a vivid picture of New York City's underbelly, with Times Square Detective Danny Clover at the center of the action.
The show began with Anthony Ross voicing Detective Clover, bringing to life the gritty streets of New York during its first three months. However, it was Larry Thor who would become synonymous with the role for the remainder of the series. The atmospheric music by Robert Stringer and scripts by Peter Lyon set the tone for the dark and moody narratives that unfolded each week.
Directed by John Dietz and later produced by Lester Gottlieb, "Broadway Is My Beat" made a significant move from New York to Hollywood. This transition marked a new era for the show, with producer Elliott Lewis at the helm, introducing new scripts by Morton S. Fine and David Friedkin. The iconic opening theme, "I'll Take Manhattan," perfectly encapsulated the essence of Detective Clover's world, from Times Square to Columbus Circle.
The show was a collaborative effort, with music by Wilbur Hatch and Alexander Courage complementing the storytelling. The sound effects team, consisting of David Light, Ralph Cummings, and Ross Murray, played a crucial role in recreating the bustling soundscape of Manhattan.
The announcers, Bill Anders and Joe Walters, along with a supporting cast featuring Charles Calvert and Jack Kruschen, brought additional depth to the series. Notable guest stars from television, radio, and film graced the episodes, adding star power and variety to the show's roster.
"Broadway Is My Beat" remains a testament to the golden age of radio drama, showcasing the power of sound to transport listeners to another time and place. It serves as a reminder of the rich history of storytelling before the visual dominance of television and film. For those who yearn for the nostalgia of radio's heyday, "Broadway Is My Beat" is a timeless treasure worth revisiting.

Listen to our radio station Old Time Radio https://link.radioking.com/otradio
Listen to other Shows at My Classic Radio https://www.myclassicradio.net/
Entertainment Radio | Broadcasting Classic Radio Shows | Patreon

Remember that times have changed, and some shows might not reflect the standards of today?s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio
2020-08-22
Link to episode

Broadway Is My Beat_49-03-27_(005)_A Fixed Prize Fight

The era of radio drama was a time when storytelling was a purely auditory experience, and "Broadway Is My Beat" was a shining example of this art form. Running on CBS from 1949 to 1954, this radio crime drama painted a vivid picture of New York City's underbelly, with Times Square Detective Danny Clover at the center of the action.
The show began with Anthony Ross voicing Detective Clover, bringing to life the gritty streets of New York during its first three months. However, it was Larry Thor who would become synonymous with the role for the remainder of the series. The atmospheric music by Robert Stringer and scripts by Peter Lyon set the tone for the dark and moody narratives that unfolded each week.
Directed by John Dietz and later produced by Lester Gottlieb, "Broadway Is My Beat" made a significant move from New York to Hollywood. This transition marked a new era for the show, with producer Elliott Lewis at the helm, introducing new scripts by Morton S. Fine and David Friedkin. The iconic opening theme, "I'll Take Manhattan," perfectly encapsulated the essence of Detective Clover's world, from Times Square to Columbus Circle.
The show was a collaborative effort, with music by Wilbur Hatch and Alexander Courage complementing the storytelling. The sound effects team, consisting of David Light, Ralph Cummings, and Ross Murray, played a crucial role in recreating the bustling soundscape of Manhattan.
The announcers, Bill Anders and Joe Walters, along with a supporting cast featuring Charles Calvert and Jack Kruschen, brought additional depth to the series. Notable guest stars from television, radio, and film graced the episodes, adding star power and variety to the show's roster.
"Broadway Is My Beat" remains a testament to the golden age of radio drama, showcasing the power of sound to transport listeners to another time and place. It serves as a reminder of the rich history of storytelling before the visual dominance of television and film. For those who yearn for the nostalgia of radio's heyday, "Broadway Is My Beat" is a timeless treasure worth revisiting.

Listen to our radio station Old Time Radio https://link.radioking.com/otradio
Listen to other Shows at My Classic Radio https://www.myclassicradio.net/
Entertainment Radio | Broadcasting Classic Radio Shows | Patreon

Remember that times have changed, and some shows might not reflect the standards of today?s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio
2020-08-22
Link to episode

Broadway Is My Beat_49-04-03_(006)_The Jimmy Dorn Murder Case

The era of radio drama was a time when storytelling was a purely auditory experience, and "Broadway Is My Beat" was a shining example of this art form. Running on CBS from 1949 to 1954, this radio crime drama painted a vivid picture of New York City's underbelly, with Times Square Detective Danny Clover at the center of the action.
The show began with Anthony Ross voicing Detective Clover, bringing to life the gritty streets of New York during its first three months. However, it was Larry Thor who would become synonymous with the role for the remainder of the series. The atmospheric music by Robert Stringer and scripts by Peter Lyon set the tone for the dark and moody narratives that unfolded each week.
Directed by John Dietz and later produced by Lester Gottlieb, "Broadway Is My Beat" made a significant move from New York to Hollywood. This transition marked a new era for the show, with producer Elliott Lewis at the helm, introducing new scripts by Morton S. Fine and David Friedkin. The iconic opening theme, "I'll Take Manhattan," perfectly encapsulated the essence of Detective Clover's world, from Times Square to Columbus Circle.
The show was a collaborative effort, with music by Wilbur Hatch and Alexander Courage complementing the storytelling. The sound effects team, consisting of David Light, Ralph Cummings, and Ross Murray, played a crucial role in recreating the bustling soundscape of Manhattan.
The announcers, Bill Anders and Joe Walters, along with a supporting cast featuring Charles Calvert and Jack Kruschen, brought additional depth to the series. Notable guest stars from television, radio, and film graced the episodes, adding star power and variety to the show's roster.
"Broadway Is My Beat" remains a testament to the golden age of radio drama, showcasing the power of sound to transport listeners to another time and place. It serves as a reminder of the rich history of storytelling before the visual dominance of television and film. For those who yearn for the nostalgia of radio's heyday, "Broadway Is My Beat" is a timeless treasure worth revisiting.

Listen to our radio station Old Time Radio https://link.radioking.com/otradio
Listen to other Shows at My Classic Radio https://www.myclassicradio.net/
Entertainment Radio | Broadcasting Classic Radio Shows | Patreon

Remember that times have changed, and some shows might not reflect the standards of today?s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio
2020-08-22
Link to episode

Broadway Is My Beat_49-08-11_(005)_The Jane Darwell Murder Case

The era of radio drama was a time when storytelling was a purely auditory experience, and "Broadway Is My Beat" was a shining example of this art form. Running on CBS from 1949 to 1954, this radio crime drama painted a vivid picture of New York City's underbelly, with Times Square Detective Danny Clover at the center of the action.
The show began with Anthony Ross voicing Detective Clover, bringing to life the gritty streets of New York during its first three months. However, it was Larry Thor who would become synonymous with the role for the remainder of the series. The atmospheric music by Robert Stringer and scripts by Peter Lyon set the tone for the dark and moody narratives that unfolded each week.
Directed by John Dietz and later produced by Lester Gottlieb, "Broadway Is My Beat" made a significant move from New York to Hollywood. This transition marked a new era for the show, with producer Elliott Lewis at the helm, introducing new scripts by Morton S. Fine and David Friedkin. The iconic opening theme, "I'll Take Manhattan," perfectly encapsulated the essence of Detective Clover's world, from Times Square to Columbus Circle.
The show was a collaborative effort, with music by Wilbur Hatch and Alexander Courage complementing the storytelling. The sound effects team, consisting of David Light, Ralph Cummings, and Ross Murray, played a crucial role in recreating the bustling soundscape of Manhattan.
The announcers, Bill Anders and Joe Walters, along with a supporting cast featuring Charles Calvert and Jack Kruschen, brought additional depth to the series. Notable guest stars from television, radio, and film graced the episodes, adding star power and variety to the show's roster.
"Broadway Is My Beat" remains a testament to the golden age of radio drama, showcasing the power of sound to transport listeners to another time and place. It serves as a reminder of the rich history of storytelling before the visual dominance of television and film. For those who yearn for the nostalgia of radio's heyday, "Broadway Is My Beat" is a timeless treasure worth revisiting.

Listen to our radio station Old Time Radio https://link.radioking.com/otradio
Listen to other Shows at My Classic Radio https://www.myclassicradio.net/
Entertainment Radio | Broadcasting Classic Radio Shows | Patreon

Remember that times have changed, and some shows might not reflect the standards of today?s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio
2020-08-22
Link to episode

Broadway Is My Beat_49-08-18_(006)_The Silks Bergen Murder Case

The era of radio drama was a time when storytelling was a purely auditory experience, and "Broadway Is My Beat" was a shining example of this art form. Running on CBS from 1949 to 1954, this radio crime drama painted a vivid picture of New York City's underbelly, with Times Square Detective Danny Clover at the center of the action.
The show began with Anthony Ross voicing Detective Clover, bringing to life the gritty streets of New York during its first three months. However, it was Larry Thor who would become synonymous with the role for the remainder of the series. The atmospheric music by Robert Stringer and scripts by Peter Lyon set the tone for the dark and moody narratives that unfolded each week.
Directed by John Dietz and later produced by Lester Gottlieb, "Broadway Is My Beat" made a significant move from New York to Hollywood. This transition marked a new era for the show, with producer Elliott Lewis at the helm, introducing new scripts by Morton S. Fine and David Friedkin. The iconic opening theme, "I'll Take Manhattan," perfectly encapsulated the essence of Detective Clover's world, from Times Square to Columbus Circle.
The show was a collaborative effort, with music by Wilbur Hatch and Alexander Courage complementing the storytelling. The sound effects team, consisting of David Light, Ralph Cummings, and Ross Murray, played a crucial role in recreating the bustling soundscape of Manhattan.
The announcers, Bill Anders and Joe Walters, along with a supporting cast featuring Charles Calvert and Jack Kruschen, brought additional depth to the series. Notable guest stars from television, radio, and film graced the episodes, adding star power and variety to the show's roster.
"Broadway Is My Beat" remains a testament to the golden age of radio drama, showcasing the power of sound to transport listeners to another time and place. It serves as a reminder of the rich history of storytelling before the visual dominance of television and film. For those who yearn for the nostalgia of radio's heyday, "Broadway Is My Beat" is a timeless treasure worth revisiting.

Listen to our radio station Old Time Radio https://link.radioking.com/otradio
Listen to other Shows at My Classic Radio https://www.myclassicradio.net/
Entertainment Radio | Broadcasting Classic Radio Shows | Patreon

Remember that times have changed, and some shows might not reflect the standards of today?s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio
2020-08-22
Link to episode

Broadway Is My Beat_49-08-25_(007)_The Val Dane Murder Case

The era of radio drama was a time when storytelling was a purely auditory experience, and "Broadway Is My Beat" was a shining example of this art form. Running on CBS from 1949 to 1954, this radio crime drama painted a vivid picture of New York City's underbelly, with Times Square Detective Danny Clover at the center of the action.
The show began with Anthony Ross voicing Detective Clover, bringing to life the gritty streets of New York during its first three months. However, it was Larry Thor who would become synonymous with the role for the remainder of the series. The atmospheric music by Robert Stringer and scripts by Peter Lyon set the tone for the dark and moody narratives that unfolded each week.
Directed by John Dietz and later produced by Lester Gottlieb, "Broadway Is My Beat" made a significant move from New York to Hollywood. This transition marked a new era for the show, with producer Elliott Lewis at the helm, introducing new scripts by Morton S. Fine and David Friedkin. The iconic opening theme, "I'll Take Manhattan," perfectly encapsulated the essence of Detective Clover's world, from Times Square to Columbus Circle.
The show was a collaborative effort, with music by Wilbur Hatch and Alexander Courage complementing the storytelling. The sound effects team, consisting of David Light, Ralph Cummings, and Ross Murray, played a crucial role in recreating the bustling soundscape of Manhattan.
The announcers, Bill Anders and Joe Walters, along with a supporting cast featuring Charles Calvert and Jack Kruschen, brought additional depth to the series. Notable guest stars from television, radio, and film graced the episodes, adding star power and variety to the show's roster.
"Broadway Is My Beat" remains a testament to the golden age of radio drama, showcasing the power of sound to transport listeners to another time and place. It serves as a reminder of the rich history of storytelling before the visual dominance of television and film. For those who yearn for the nostalgia of radio's heyday, "Broadway Is My Beat" is a timeless treasure worth revisiting.

Listen to our radio station Old Time Radio https://link.radioking.com/otradio
Listen to other Shows at My Classic Radio https://www.myclassicradio.net/
Entertainment Radio | Broadcasting Classic Radio Shows | Patreon

Remember that times have changed, and some shows might not reflect the standards of today?s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio
2020-08-22
Link to episode

Broadway Is My Beat_49-11-05_(008)_The Mei Ling Murder Case

The era of radio drama was a time when storytelling was a purely auditory experience, and "Broadway Is My Beat" was a shining example of this art form. Running on CBS from 1949 to 1954, this radio crime drama painted a vivid picture of New York City's underbelly, with Times Square Detective Danny Clover at the center of the action.
The show began with Anthony Ross voicing Detective Clover, bringing to life the gritty streets of New York during its first three months. However, it was Larry Thor who would become synonymous with the role for the remainder of the series. The atmospheric music by Robert Stringer and scripts by Peter Lyon set the tone for the dark and moody narratives that unfolded each week.
Directed by John Dietz and later produced by Lester Gottlieb, "Broadway Is My Beat" made a significant move from New York to Hollywood. This transition marked a new era for the show, with producer Elliott Lewis at the helm, introducing new scripts by Morton S. Fine and David Friedkin. The iconic opening theme, "I'll Take Manhattan," perfectly encapsulated the essence of Detective Clover's world, from Times Square to Columbus Circle.
The show was a collaborative effort, with music by Wilbur Hatch and Alexander Courage complementing the storytelling. The sound effects team, consisting of David Light, Ralph Cummings, and Ross Murray, played a crucial role in recreating the bustling soundscape of Manhattan.
The announcers, Bill Anders and Joe Walters, along with a supporting cast featuring Charles Calvert and Jack Kruschen, brought additional depth to the series. Notable guest stars from television, radio, and film graced the episodes, adding star power and variety to the show's roster.
"Broadway Is My Beat" remains a testament to the golden age of radio drama, showcasing the power of sound to transport listeners to another time and place. It serves as a reminder of the rich history of storytelling before the visual dominance of television and film. For those who yearn for the nostalgia of radio's heyday, "Broadway Is My Beat" is a timeless treasure worth revisiting.

Listen to our radio station Old Time Radio https://link.radioking.com/otradio
Listen to other Shows at My Classic Radio https://www.myclassicradio.net/
Entertainment Radio | Broadcasting Classic Radio Shows | Patreon

Remember that times have changed, and some shows might not reflect the standards of today?s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio
2020-08-22
Link to episode

Broadway Is My Beat_49-11-12_(009)_The Sgt Gordon Ellis Murder Case

The era of radio drama was a time when storytelling was a purely auditory experience, and "Broadway Is My Beat" was a shining example of this art form. Running on CBS from 1949 to 1954, this radio crime drama painted a vivid picture of New York City's underbelly, with Times Square Detective Danny Clover at the center of the action.
The show began with Anthony Ross voicing Detective Clover, bringing to life the gritty streets of New York during its first three months. However, it was Larry Thor who would become synonymous with the role for the remainder of the series. The atmospheric music by Robert Stringer and scripts by Peter Lyon set the tone for the dark and moody narratives that unfolded each week.
Directed by John Dietz and later produced by Lester Gottlieb, "Broadway Is My Beat" made a significant move from New York to Hollywood. This transition marked a new era for the show, with producer Elliott Lewis at the helm, introducing new scripts by Morton S. Fine and David Friedkin. The iconic opening theme, "I'll Take Manhattan," perfectly encapsulated the essence of Detective Clover's world, from Times Square to Columbus Circle.
The show was a collaborative effort, with music by Wilbur Hatch and Alexander Courage complementing the storytelling. The sound effects team, consisting of David Light, Ralph Cummings, and Ross Murray, played a crucial role in recreating the bustling soundscape of Manhattan.
The announcers, Bill Anders and Joe Walters, along with a supporting cast featuring Charles Calvert and Jack Kruschen, brought additional depth to the series. Notable guest stars from television, radio, and film graced the episodes, adding star power and variety to the show's roster.
"Broadway Is My Beat" remains a testament to the golden age of radio drama, showcasing the power of sound to transport listeners to another time and place. It serves as a reminder of the rich history of storytelling before the visual dominance of television and film. For those who yearn for the nostalgia of radio's heyday, "Broadway Is My Beat" is a timeless treasure worth revisiting.

Listen to our radio station Old Time Radio https://link.radioking.com/otradio
Listen to other Shows at My Classic Radio https://www.myclassicradio.net/
Entertainment Radio | Broadcasting Classic Radio Shows | Patreon

Remember that times have changed, and some shows might not reflect the standards of today?s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio
2020-08-22
Link to episode

Broadway Is My Beat_49-11-19_(010)_The Eugene Bullock Murder Case

The era of radio drama was a time when storytelling was a purely auditory experience, and "Broadway Is My Beat" was a shining example of this art form. Running on CBS from 1949 to 1954, this radio crime drama painted a vivid picture of New York City's underbelly, with Times Square Detective Danny Clover at the center of the action.
The show began with Anthony Ross voicing Detective Clover, bringing to life the gritty streets of New York during its first three months. However, it was Larry Thor who would become synonymous with the role for the remainder of the series. The atmospheric music by Robert Stringer and scripts by Peter Lyon set the tone for the dark and moody narratives that unfolded each week.
Directed by John Dietz and later produced by Lester Gottlieb, "Broadway Is My Beat" made a significant move from New York to Hollywood. This transition marked a new era for the show, with producer Elliott Lewis at the helm, introducing new scripts by Morton S. Fine and David Friedkin. The iconic opening theme, "I'll Take Manhattan," perfectly encapsulated the essence of Detective Clover's world, from Times Square to Columbus Circle.
The show was a collaborative effort, with music by Wilbur Hatch and Alexander Courage complementing the storytelling. The sound effects team, consisting of David Light, Ralph Cummings, and Ross Murray, played a crucial role in recreating the bustling soundscape of Manhattan.
The announcers, Bill Anders and Joe Walters, along with a supporting cast featuring Charles Calvert and Jack Kruschen, brought additional depth to the series. Notable guest stars from television, radio, and film graced the episodes, adding star power and variety to the show's roster.
"Broadway Is My Beat" remains a testament to the golden age of radio drama, showcasing the power of sound to transport listeners to another time and place. It serves as a reminder of the rich history of storytelling before the visual dominance of television and film. For those who yearn for the nostalgia of radio's heyday, "Broadway Is My Beat" is a timeless treasure worth revisiting.

Listen to our radio station Old Time Radio https://link.radioking.com/otradio
Listen to other Shows at My Classic Radio https://www.myclassicradio.net/
Entertainment Radio | Broadcasting Classic Radio Shows | Patreon

Remember that times have changed, and some shows might not reflect the standards of today?s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio
2020-08-22
Link to episode

Broadway Is My Beat_49-11-26_(011)_The Mary Gilbert Murder Case

The era of radio drama was a time when storytelling was a purely auditory experience, and "Broadway Is My Beat" was a shining example of this art form. Running on CBS from 1949 to 1954, this radio crime drama painted a vivid picture of New York City's underbelly, with Times Square Detective Danny Clover at the center of the action.
The show began with Anthony Ross voicing Detective Clover, bringing to life the gritty streets of New York during its first three months. However, it was Larry Thor who would become synonymous with the role for the remainder of the series. The atmospheric music by Robert Stringer and scripts by Peter Lyon set the tone for the dark and moody narratives that unfolded each week.
Directed by John Dietz and later produced by Lester Gottlieb, "Broadway Is My Beat" made a significant move from New York to Hollywood. This transition marked a new era for the show, with producer Elliott Lewis at the helm, introducing new scripts by Morton S. Fine and David Friedkin. The iconic opening theme, "I'll Take Manhattan," perfectly encapsulated the essence of Detective Clover's world, from Times Square to Columbus Circle.
The show was a collaborative effort, with music by Wilbur Hatch and Alexander Courage complementing the storytelling. The sound effects team, consisting of David Light, Ralph Cummings, and Ross Murray, played a crucial role in recreating the bustling soundscape of Manhattan.
The announcers, Bill Anders and Joe Walters, along with a supporting cast featuring Charles Calvert and Jack Kruschen, brought additional depth to the series. Notable guest stars from television, radio, and film graced the episodes, adding star power and variety to the show's roster.
"Broadway Is My Beat" remains a testament to the golden age of radio drama, showcasing the power of sound to transport listeners to another time and place. It serves as a reminder of the rich history of storytelling before the visual dominance of television and film. For those who yearn for the nostalgia of radio's heyday, "Broadway Is My Beat" is a timeless treasure worth revisiting.

Listen to our radio station Old Time Radio https://link.radioking.com/otradio
Listen to other Shows at My Classic Radio https://www.myclassicradio.net/
Entertainment Radio | Broadcasting Classic Radio Shows | Patreon

Remember that times have changed, and some shows might not reflect the standards of today?s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio
2020-08-22
Link to episode

Broadway Is My Beat_49-12-03_(012)_The Sherman Gates Murder Case

The era of radio drama was a time when storytelling was a purely auditory experience, and "Broadway Is My Beat" was a shining example of this art form. Running on CBS from 1949 to 1954, this radio crime drama painted a vivid picture of New York City's underbelly, with Times Square Detective Danny Clover at the center of the action.
The show began with Anthony Ross voicing Detective Clover, bringing to life the gritty streets of New York during its first three months. However, it was Larry Thor who would become synonymous with the role for the remainder of the series. The atmospheric music by Robert Stringer and scripts by Peter Lyon set the tone for the dark and moody narratives that unfolded each week.
Directed by John Dietz and later produced by Lester Gottlieb, "Broadway Is My Beat" made a significant move from New York to Hollywood. This transition marked a new era for the show, with producer Elliott Lewis at the helm, introducing new scripts by Morton S. Fine and David Friedkin. The iconic opening theme, "I'll Take Manhattan," perfectly encapsulated the essence of Detective Clover's world, from Times Square to Columbus Circle.
The show was a collaborative effort, with music by Wilbur Hatch and Alexander Courage complementing the storytelling. The sound effects team, consisting of David Light, Ralph Cummings, and Ross Murray, played a crucial role in recreating the bustling soundscape of Manhattan.
The announcers, Bill Anders and Joe Walters, along with a supporting cast featuring Charles Calvert and Jack Kruschen, brought additional depth to the series. Notable guest stars from television, radio, and film graced the episodes, adding star power and variety to the show's roster.
"Broadway Is My Beat" remains a testament to the golden age of radio drama, showcasing the power of sound to transport listeners to another time and place. It serves as a reminder of the rich history of storytelling before the visual dominance of television and film. For those who yearn for the nostalgia of radio's heyday, "Broadway Is My Beat" is a timeless treasure worth revisiting.

Listen to our radio station Old Time Radio https://link.radioking.com/otradio
Listen to other Shows at My Classic Radio https://www.myclassicradio.net/
Entertainment Radio | Broadcasting Classic Radio Shows | Patreon

Remember that times have changed, and some shows might not reflect the standards of today?s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio
2020-08-22
Link to episode

Broadway Is My Beat_49-12-10_(013)_The Tori Jones Murder Case

The era of radio drama was a time when storytelling was a purely auditory experience, and "Broadway Is My Beat" was a shining example of this art form. Running on CBS from 1949 to 1954, this radio crime drama painted a vivid picture of New York City's underbelly, with Times Square Detective Danny Clover at the center of the action.
The show began with Anthony Ross voicing Detective Clover, bringing to life the gritty streets of New York during its first three months. However, it was Larry Thor who would become synonymous with the role for the remainder of the series. The atmospheric music by Robert Stringer and scripts by Peter Lyon set the tone for the dark and moody narratives that unfolded each week.
Directed by John Dietz and later produced by Lester Gottlieb, "Broadway Is My Beat" made a significant move from New York to Hollywood. This transition marked a new era for the show, with producer Elliott Lewis at the helm, introducing new scripts by Morton S. Fine and David Friedkin. The iconic opening theme, "I'll Take Manhattan," perfectly encapsulated the essence of Detective Clover's world, from Times Square to Columbus Circle.
The show was a collaborative effort, with music by Wilbur Hatch and Alexander Courage complementing the storytelling. The sound effects team, consisting of David Light, Ralph Cummings, and Ross Murray, played a crucial role in recreating the bustling soundscape of Manhattan.
The announcers, Bill Anders and Joe Walters, along with a supporting cast featuring Charles Calvert and Jack Kruschen, brought additional depth to the series. Notable guest stars from television, radio, and film graced the episodes, adding star power and variety to the show's roster.
"Broadway Is My Beat" remains a testament to the golden age of radio drama, showcasing the power of sound to transport listeners to another time and place. It serves as a reminder of the rich history of storytelling before the visual dominance of television and film. For those who yearn for the nostalgia of radio's heyday, "Broadway Is My Beat" is a timeless treasure worth revisiting.

Listen to our radio station Old Time Radio https://link.radioking.com/otradio
Listen to other Shows at My Classic Radio https://www.myclassicradio.net/
Entertainment Radio | Broadcasting Classic Radio Shows | Patreon

Remember that times have changed, and some shows might not reflect the standards of today?s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio
2020-08-22
Link to episode

Broadway Is My Beat_49-12-17_(014)_The Henry Baker Murder Case

The era of radio drama was a time when storytelling was a purely auditory experience, and "Broadway Is My Beat" was a shining example of this art form. Running on CBS from 1949 to 1954, this radio crime drama painted a vivid picture of New York City's underbelly, with Times Square Detective Danny Clover at the center of the action.
The show began with Anthony Ross voicing Detective Clover, bringing to life the gritty streets of New York during its first three months. However, it was Larry Thor who would become synonymous with the role for the remainder of the series. The atmospheric music by Robert Stringer and scripts by Peter Lyon set the tone for the dark and moody narratives that unfolded each week.
Directed by John Dietz and later produced by Lester Gottlieb, "Broadway Is My Beat" made a significant move from New York to Hollywood. This transition marked a new era for the show, with producer Elliott Lewis at the helm, introducing new scripts by Morton S. Fine and David Friedkin. The iconic opening theme, "I'll Take Manhattan," perfectly encapsulated the essence of Detective Clover's world, from Times Square to Columbus Circle.
The show was a collaborative effort, with music by Wilbur Hatch and Alexander Courage complementing the storytelling. The sound effects team, consisting of David Light, Ralph Cummings, and Ross Murray, played a crucial role in recreating the bustling soundscape of Manhattan.
The announcers, Bill Anders and Joe Walters, along with a supporting cast featuring Charles Calvert and Jack Kruschen, brought additional depth to the series. Notable guest stars from television, radio, and film graced the episodes, adding star power and variety to the show's roster.
"Broadway Is My Beat" remains a testament to the golden age of radio drama, showcasing the power of sound to transport listeners to another time and place. It serves as a reminder of the rich history of storytelling before the visual dominance of television and film. For those who yearn for the nostalgia of radio's heyday, "Broadway Is My Beat" is a timeless treasure worth revisiting.

Listen to our radio station Old Time Radio https://link.radioking.com/otradio
Listen to other Shows at My Classic Radio https://www.myclassicradio.net/
Entertainment Radio | Broadcasting Classic Radio Shows | Patreon

Remember that times have changed, and some shows might not reflect the standards of today?s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio
2020-08-22
Link to episode

Broadway Is My Beat_49-12-24_(015)_Nick Norman And Santa Claus

The era of radio drama was a time when storytelling was a purely auditory experience, and "Broadway Is My Beat" was a shining example of this art form. Running on CBS from 1949 to 1954, this radio crime drama painted a vivid picture of New York City's underbelly, with Times Square Detective Danny Clover at the center of the action.
The show began with Anthony Ross voicing Detective Clover, bringing to life the gritty streets of New York during its first three months. However, it was Larry Thor who would become synonymous with the role for the remainder of the series. The atmospheric music by Robert Stringer and scripts by Peter Lyon set the tone for the dark and moody narratives that unfolded each week.
Directed by John Dietz and later produced by Lester Gottlieb, "Broadway Is My Beat" made a significant move from New York to Hollywood. This transition marked a new era for the show, with producer Elliott Lewis at the helm, introducing new scripts by Morton S. Fine and David Friedkin. The iconic opening theme, "I'll Take Manhattan," perfectly encapsulated the essence of Detective Clover's world, from Times Square to Columbus Circle.
The show was a collaborative effort, with music by Wilbur Hatch and Alexander Courage complementing the storytelling. The sound effects team, consisting of David Light, Ralph Cummings, and Ross Murray, played a crucial role in recreating the bustling soundscape of Manhattan.
The announcers, Bill Anders and Joe Walters, along with a supporting cast featuring Charles Calvert and Jack Kruschen, brought additional depth to the series. Notable guest stars from television, radio, and film graced the episodes, adding star power and variety to the show's roster.
"Broadway Is My Beat" remains a testament to the golden age of radio drama, showcasing the power of sound to transport listeners to another time and place. It serves as a reminder of the rich history of storytelling before the visual dominance of television and film. For those who yearn for the nostalgia of radio's heyday, "Broadway Is My Beat" is a timeless treasure worth revisiting.

Listen to our radio station Old Time Radio https://link.radioking.com/otradio
Listen to other Shows at My Classic Radio https://www.myclassicradio.net/
Entertainment Radio | Broadcasting Classic Radio Shows | Patreon

Remember that times have changed, and some shows might not reflect the standards of today?s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio
2020-08-22
Link to episode

Broadway Is My Beat_49-12-31_(016)_The John Lomax Murder Case

The era of radio drama was a time when storytelling was a purely auditory experience, and "Broadway Is My Beat" was a shining example of this art form. Running on CBS from 1949 to 1954, this radio crime drama painted a vivid picture of New York City's underbelly, with Times Square Detective Danny Clover at the center of the action.
The show began with Anthony Ross voicing Detective Clover, bringing to life the gritty streets of New York during its first three months. However, it was Larry Thor who would become synonymous with the role for the remainder of the series. The atmospheric music by Robert Stringer and scripts by Peter Lyon set the tone for the dark and moody narratives that unfolded each week.
Directed by John Dietz and later produced by Lester Gottlieb, "Broadway Is My Beat" made a significant move from New York to Hollywood. This transition marked a new era for the show, with producer Elliott Lewis at the helm, introducing new scripts by Morton S. Fine and David Friedkin. The iconic opening theme, "I'll Take Manhattan," perfectly encapsulated the essence of Detective Clover's world, from Times Square to Columbus Circle.
The show was a collaborative effort, with music by Wilbur Hatch and Alexander Courage complementing the storytelling. The sound effects team, consisting of David Light, Ralph Cummings, and Ross Murray, played a crucial role in recreating the bustling soundscape of Manhattan.
The announcers, Bill Anders and Joe Walters, along with a supporting cast featuring Charles Calvert and Jack Kruschen, brought additional depth to the series. Notable guest stars from television, radio, and film graced the episodes, adding star power and variety to the show's roster.
"Broadway Is My Beat" remains a testament to the golden age of radio drama, showcasing the power of sound to transport listeners to another time and place. It serves as a reminder of the rich history of storytelling before the visual dominance of television and film. For those who yearn for the nostalgia of radio's heyday, "Broadway Is My Beat" is a timeless treasure worth revisiting.

Listen to our radio station Old Time Radio https://link.radioking.com/otradio
Listen to other Shows at My Classic Radio https://www.myclassicradio.net/
Entertainment Radio | Broadcasting Classic Radio Shows | Patreon

Remember that times have changed, and some shows might not reflect the standards of today?s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio
2020-08-22
Link to episode

Broadway Is My Beat_50-01-07_(017)_The Mary Murdock Murder Case

The era of radio drama was a time when storytelling was a purely auditory experience, and "Broadway Is My Beat" was a shining example of this art form. Running on CBS from 1949 to 1954, this radio crime drama painted a vivid picture of New York City's underbelly, with Times Square Detective Danny Clover at the center of the action.
The show began with Anthony Ross voicing Detective Clover, bringing to life the gritty streets of New York during its first three months. However, it was Larry Thor who would become synonymous with the role for the remainder of the series. The atmospheric music by Robert Stringer and scripts by Peter Lyon set the tone for the dark and moody narratives that unfolded each week.
Directed by John Dietz and later produced by Lester Gottlieb, "Broadway Is My Beat" made a significant move from New York to Hollywood. This transition marked a new era for the show, with producer Elliott Lewis at the helm, introducing new scripts by Morton S. Fine and David Friedkin. The iconic opening theme, "I'll Take Manhattan," perfectly encapsulated the essence of Detective Clover's world, from Times Square to Columbus Circle.
The show was a collaborative effort, with music by Wilbur Hatch and Alexander Courage complementing the storytelling. The sound effects team, consisting of David Light, Ralph Cummings, and Ross Murray, played a crucial role in recreating the bustling soundscape of Manhattan.
The announcers, Bill Anders and Joe Walters, along with a supporting cast featuring Charles Calvert and Jack Kruschen, brought additional depth to the series. Notable guest stars from television, radio, and film graced the episodes, adding star power and variety to the show's roster.
"Broadway Is My Beat" remains a testament to the golden age of radio drama, showcasing the power of sound to transport listeners to another time and place. It serves as a reminder of the rich history of storytelling before the visual dominance of television and film. For those who yearn for the nostalgia of radio's heyday, "Broadway Is My Beat" is a timeless treasure worth revisiting.

Listen to our radio station Old Time Radio https://link.radioking.com/otradio
Listen to other Shows at My Classic Radio https://www.myclassicradio.net/
Entertainment Radio | Broadcasting Classic Radio Shows | Patreon

Remember that times have changed, and some shows might not reflect the standards of today?s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio
2020-08-22
Link to episode

Broadway Is My Beat_50-01-21_(018)_The Joan Gale Murder Case

The era of radio drama was a time when storytelling was a purely auditory experience, and "Broadway Is My Beat" was a shining example of this art form. Running on CBS from 1949 to 1954, this radio crime drama painted a vivid picture of New York City's underbelly, with Times Square Detective Danny Clover at the center of the action.
The show began with Anthony Ross voicing Detective Clover, bringing to life the gritty streets of New York during its first three months. However, it was Larry Thor who would become synonymous with the role for the remainder of the series. The atmospheric music by Robert Stringer and scripts by Peter Lyon set the tone for the dark and moody narratives that unfolded each week.
Directed by John Dietz and later produced by Lester Gottlieb, "Broadway Is My Beat" made a significant move from New York to Hollywood. This transition marked a new era for the show, with producer Elliott Lewis at the helm, introducing new scripts by Morton S. Fine and David Friedkin. The iconic opening theme, "I'll Take Manhattan," perfectly encapsulated the essence of Detective Clover's world, from Times Square to Columbus Circle.
The show was a collaborative effort, with music by Wilbur Hatch and Alexander Courage complementing the storytelling. The sound effects team, consisting of David Light, Ralph Cummings, and Ross Murray, played a crucial role in recreating the bustling soundscape of Manhattan.
The announcers, Bill Anders and Joe Walters, along with a supporting cast featuring Charles Calvert and Jack Kruschen, brought additional depth to the series. Notable guest stars from television, radio, and film graced the episodes, adding star power and variety to the show's roster.
"Broadway Is My Beat" remains a testament to the golden age of radio drama, showcasing the power of sound to transport listeners to another time and place. It serves as a reminder of the rich history of storytelling before the visual dominance of television and film. For those who yearn for the nostalgia of radio's heyday, "Broadway Is My Beat" is a timeless treasure worth revisiting.

Listen to our radio station Old Time Radio https://link.radioking.com/otradio
Listen to other Shows at My Classic Radio https://www.myclassicradio.net/
Entertainment Radio | Broadcasting Classic Radio Shows | Patreon

Remember that times have changed, and some shows might not reflect the standards of today?s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio
2020-08-22
Link to episode

Broadway Is My Beat_50-01-31_(019)_The Roberto Segura Murder Case

The era of radio drama was a time when storytelling was a purely auditory experience, and "Broadway Is My Beat" was a shining example of this art form. Running on CBS from 1949 to 1954, this radio crime drama painted a vivid picture of New York City's underbelly, with Times Square Detective Danny Clover at the center of the action.
The show began with Anthony Ross voicing Detective Clover, bringing to life the gritty streets of New York during its first three months. However, it was Larry Thor who would become synonymous with the role for the remainder of the series. The atmospheric music by Robert Stringer and scripts by Peter Lyon set the tone for the dark and moody narratives that unfolded each week.
Directed by John Dietz and later produced by Lester Gottlieb, "Broadway Is My Beat" made a significant move from New York to Hollywood. This transition marked a new era for the show, with producer Elliott Lewis at the helm, introducing new scripts by Morton S. Fine and David Friedkin. The iconic opening theme, "I'll Take Manhattan," perfectly encapsulated the essence of Detective Clover's world, from Times Square to Columbus Circle.
The show was a collaborative effort, with music by Wilbur Hatch and Alexander Courage complementing the storytelling. The sound effects team, consisting of David Light, Ralph Cummings, and Ross Murray, played a crucial role in recreating the bustling soundscape of Manhattan.
The announcers, Bill Anders and Joe Walters, along with a supporting cast featuring Charles Calvert and Jack Kruschen, brought additional depth to the series. Notable guest stars from television, radio, and film graced the episodes, adding star power and variety to the show's roster.
"Broadway Is My Beat" remains a testament to the golden age of radio drama, showcasing the power of sound to transport listeners to another time and place. It serves as a reminder of the rich history of storytelling before the visual dominance of television and film. For those who yearn for the nostalgia of radio's heyday, "Broadway Is My Beat" is a timeless treasure worth revisiting.

Listen to our radio station Old Time Radio https://link.radioking.com/otradio
Listen to other Shows at My Classic Radio https://www.myclassicradio.net/
Entertainment Radio | Broadcasting Classic Radio Shows | Patreon

Remember that times have changed, and some shows might not reflect the standards of today?s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio
2020-08-22
Link to episode

Broadway Is My Beat_50-02-03_(020)_The Lt Jimmy Hunt Murder Case

The era of radio drama was a time when storytelling was a purely auditory experience, and "Broadway Is My Beat" was a shining example of this art form. Running on CBS from 1949 to 1954, this radio crime drama painted a vivid picture of New York City's underbelly, with Times Square Detective Danny Clover at the center of the action.
The show began with Anthony Ross voicing Detective Clover, bringing to life the gritty streets of New York during its first three months. However, it was Larry Thor who would become synonymous with the role for the remainder of the series. The atmospheric music by Robert Stringer and scripts by Peter Lyon set the tone for the dark and moody narratives that unfolded each week.
Directed by John Dietz and later produced by Lester Gottlieb, "Broadway Is My Beat" made a significant move from New York to Hollywood. This transition marked a new era for the show, with producer Elliott Lewis at the helm, introducing new scripts by Morton S. Fine and David Friedkin. The iconic opening theme, "I'll Take Manhattan," perfectly encapsulated the essence of Detective Clover's world, from Times Square to Columbus Circle.
The show was a collaborative effort, with music by Wilbur Hatch and Alexander Courage complementing the storytelling. The sound effects team, consisting of David Light, Ralph Cummings, and Ross Murray, played a crucial role in recreating the bustling soundscape of Manhattan.
The announcers, Bill Anders and Joe Walters, along with a supporting cast featuring Charles Calvert and Jack Kruschen, brought additional depth to the series. Notable guest stars from television, radio, and film graced the episodes, adding star power and variety to the show's roster.
"Broadway Is My Beat" remains a testament to the golden age of radio drama, showcasing the power of sound to transport listeners to another time and place. It serves as a reminder of the rich history of storytelling before the visual dominance of television and film. For those who yearn for the nostalgia of radio's heyday, "Broadway Is My Beat" is a timeless treasure worth revisiting.

Listen to our radio station Old Time Radio https://link.radioking.com/otradio
Listen to other Shows at My Classic Radio https://www.myclassicradio.net/
Entertainment Radio | Broadcasting Classic Radio Shows | Patreon

Remember that times have changed, and some shows might not reflect the standards of today?s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio
2020-08-22
Link to episode

Broadway Is My Beat_50-02-10_(021)_The Julie Dixon Murder Case

The era of radio drama was a time when storytelling was a purely auditory experience, and "Broadway Is My Beat" was a shining example of this art form. Running on CBS from 1949 to 1954, this radio crime drama painted a vivid picture of New York City's underbelly, with Times Square Detective Danny Clover at the center of the action.
The show began with Anthony Ross voicing Detective Clover, bringing to life the gritty streets of New York during its first three months. However, it was Larry Thor who would become synonymous with the role for the remainder of the series. The atmospheric music by Robert Stringer and scripts by Peter Lyon set the tone for the dark and moody narratives that unfolded each week.
Directed by John Dietz and later produced by Lester Gottlieb, "Broadway Is My Beat" made a significant move from New York to Hollywood. This transition marked a new era for the show, with producer Elliott Lewis at the helm, introducing new scripts by Morton S. Fine and David Friedkin. The iconic opening theme, "I'll Take Manhattan," perfectly encapsulated the essence of Detective Clover's world, from Times Square to Columbus Circle.
The show was a collaborative effort, with music by Wilbur Hatch and Alexander Courage complementing the storytelling. The sound effects team, consisting of David Light, Ralph Cummings, and Ross Murray, played a crucial role in recreating the bustling soundscape of Manhattan.
The announcers, Bill Anders and Joe Walters, along with a supporting cast featuring Charles Calvert and Jack Kruschen, brought additional depth to the series. Notable guest stars from television, radio, and film graced the episodes, adding star power and variety to the show's roster.
"Broadway Is My Beat" remains a testament to the golden age of radio drama, showcasing the power of sound to transport listeners to another time and place. It serves as a reminder of the rich history of storytelling before the visual dominance of television and film. For those who yearn for the nostalgia of radio's heyday, "Broadway Is My Beat" is a timeless treasure worth revisiting.

Listen to our radio station Old Time Radio https://link.radioking.com/otradio
Listen to other Shows at My Classic Radio https://www.myclassicradio.net/
Entertainment Radio | Broadcasting Classic Radio Shows | Patreon

Remember that times have changed, and some shows might not reflect the standards of today?s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio
2020-08-22
Link to episode

Broadway Is My Beat_50-02-17_(022)_The Dion Hartley Murder Case

The era of radio drama was a time when storytelling was a purely auditory experience, and "Broadway Is My Beat" was a shining example of this art form. Running on CBS from 1949 to 1954, this radio crime drama painted a vivid picture of New York City's underbelly, with Times Square Detective Danny Clover at the center of the action.
The show began with Anthony Ross voicing Detective Clover, bringing to life the gritty streets of New York during its first three months. However, it was Larry Thor who would become synonymous with the role for the remainder of the series. The atmospheric music by Robert Stringer and scripts by Peter Lyon set the tone for the dark and moody narratives that unfolded each week.
Directed by John Dietz and later produced by Lester Gottlieb, "Broadway Is My Beat" made a significant move from New York to Hollywood. This transition marked a new era for the show, with producer Elliott Lewis at the helm, introducing new scripts by Morton S. Fine and David Friedkin. The iconic opening theme, "I'll Take Manhattan," perfectly encapsulated the essence of Detective Clover's world, from Times Square to Columbus Circle.
The show was a collaborative effort, with music by Wilbur Hatch and Alexander Courage complementing the storytelling. The sound effects team, consisting of David Light, Ralph Cummings, and Ross Murray, played a crucial role in recreating the bustling soundscape of Manhattan.
The announcers, Bill Anders and Joe Walters, along with a supporting cast featuring Charles Calvert and Jack Kruschen, brought additional depth to the series. Notable guest stars from television, radio, and film graced the episodes, adding star power and variety to the show's roster.
"Broadway Is My Beat" remains a testament to the golden age of radio drama, showcasing the power of sound to transport listeners to another time and place. It serves as a reminder of the rich history of storytelling before the visual dominance of television and film. For those who yearn for the nostalgia of radio's heyday, "Broadway Is My Beat" is a timeless treasure worth revisiting.

Listen to our radio station Old Time Radio https://link.radioking.com/otradio
Listen to other Shows at My Classic Radio https://www.myclassicradio.net/
Entertainment Radio | Broadcasting Classic Radio Shows | Patreon

Remember that times have changed, and some shows might not reflect the standards of today?s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio
2020-08-22
Link to episode

Broadway Is My Beat_50-02-24_(023)_The Ben Elliot Murder Case

The era of radio drama was a time when storytelling was a purely auditory experience, and "Broadway Is My Beat" was a shining example of this art form. Running on CBS from 1949 to 1954, this radio crime drama painted a vivid picture of New York City's underbelly, with Times Square Detective Danny Clover at the center of the action.
The show began with Anthony Ross voicing Detective Clover, bringing to life the gritty streets of New York during its first three months. However, it was Larry Thor who would become synonymous with the role for the remainder of the series. The atmospheric music by Robert Stringer and scripts by Peter Lyon set the tone for the dark and moody narratives that unfolded each week.
Directed by John Dietz and later produced by Lester Gottlieb, "Broadway Is My Beat" made a significant move from New York to Hollywood. This transition marked a new era for the show, with producer Elliott Lewis at the helm, introducing new scripts by Morton S. Fine and David Friedkin. The iconic opening theme, "I'll Take Manhattan," perfectly encapsulated the essence of Detective Clover's world, from Times Square to Columbus Circle.
The show was a collaborative effort, with music by Wilbur Hatch and Alexander Courage complementing the storytelling. The sound effects team, consisting of David Light, Ralph Cummings, and Ross Murray, played a crucial role in recreating the bustling soundscape of Manhattan.
The announcers, Bill Anders and Joe Walters, along with a supporting cast featuring Charles Calvert and Jack Kruschen, brought additional depth to the series. Notable guest stars from television, radio, and film graced the episodes, adding star power and variety to the show's roster.
"Broadway Is My Beat" remains a testament to the golden age of radio drama, showcasing the power of sound to transport listeners to another time and place. It serves as a reminder of the rich history of storytelling before the visual dominance of television and film. For those who yearn for the nostalgia of radio's heyday, "Broadway Is My Beat" is a timeless treasure worth revisiting.

Listen to our radio station Old Time Radio https://link.radioking.com/otradio
Listen to other Shows at My Classic Radio https://www.myclassicradio.net/
Entertainment Radio | Broadcasting Classic Radio Shows | Patreon

Remember that times have changed, and some shows might not reflect the standards of today?s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio
2020-08-22
Link to episode

Broadway Is My Beat_50-03-03_(024)_The Joe Quito Murder Case

The era of radio drama was a time when storytelling was a purely auditory experience, and "Broadway Is My Beat" was a shining example of this art form. Running on CBS from 1949 to 1954, this radio crime drama painted a vivid picture of New York City's underbelly, with Times Square Detective Danny Clover at the center of the action.
The show began with Anthony Ross voicing Detective Clover, bringing to life the gritty streets of New York during its first three months. However, it was Larry Thor who would become synonymous with the role for the remainder of the series. The atmospheric music by Robert Stringer and scripts by Peter Lyon set the tone for the dark and moody narratives that unfolded each week.
Directed by John Dietz and later produced by Lester Gottlieb, "Broadway Is My Beat" made a significant move from New York to Hollywood. This transition marked a new era for the show, with producer Elliott Lewis at the helm, introducing new scripts by Morton S. Fine and David Friedkin. The iconic opening theme, "I'll Take Manhattan," perfectly encapsulated the essence of Detective Clover's world, from Times Square to Columbus Circle.
The show was a collaborative effort, with music by Wilbur Hatch and Alexander Courage complementing the storytelling. The sound effects team, consisting of David Light, Ralph Cummings, and Ross Murray, played a crucial role in recreating the bustling soundscape of Manhattan.
The announcers, Bill Anders and Joe Walters, along with a supporting cast featuring Charles Calvert and Jack Kruschen, brought additional depth to the series. Notable guest stars from television, radio, and film graced the episodes, adding star power and variety to the show's roster.
"Broadway Is My Beat" remains a testament to the golden age of radio drama, showcasing the power of sound to transport listeners to another time and place. It serves as a reminder of the rich history of storytelling before the visual dominance of television and film. For those who yearn for the nostalgia of radio's heyday, "Broadway Is My Beat" is a timeless treasure worth revisiting.

Listen to our radio station Old Time Radio https://link.radioking.com/otradio
Listen to other Shows at My Classic Radio https://www.myclassicradio.net/
Entertainment Radio | Broadcasting Classic Radio Shows | Patreon

Remember that times have changed, and some shows might not reflect the standards of today?s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio
2020-08-22
Link to episode

Broadway Is My Beat_50-03-10_(025)_The Dr Robert Stafford Murder Case

The era of radio drama was a time when storytelling was a purely auditory experience, and "Broadway Is My Beat" was a shining example of this art form. Running on CBS from 1949 to 1954, this radio crime drama painted a vivid picture of New York City's underbelly, with Times Square Detective Danny Clover at the center of the action.
The show began with Anthony Ross voicing Detective Clover, bringing to life the gritty streets of New York during its first three months. However, it was Larry Thor who would become synonymous with the role for the remainder of the series. The atmospheric music by Robert Stringer and scripts by Peter Lyon set the tone for the dark and moody narratives that unfolded each week.
Directed by John Dietz and later produced by Lester Gottlieb, "Broadway Is My Beat" made a significant move from New York to Hollywood. This transition marked a new era for the show, with producer Elliott Lewis at the helm, introducing new scripts by Morton S. Fine and David Friedkin. The iconic opening theme, "I'll Take Manhattan," perfectly encapsulated the essence of Detective Clover's world, from Times Square to Columbus Circle.
The show was a collaborative effort, with music by Wilbur Hatch and Alexander Courage complementing the storytelling. The sound effects team, consisting of David Light, Ralph Cummings, and Ross Murray, played a crucial role in recreating the bustling soundscape of Manhattan.
The announcers, Bill Anders and Joe Walters, along with a supporting cast featuring Charles Calvert and Jack Kruschen, brought additional depth to the series. Notable guest stars from television, radio, and film graced the episodes, adding star power and variety to the show's roster.
"Broadway Is My Beat" remains a testament to the golden age of radio drama, showcasing the power of sound to transport listeners to another time and place. It serves as a reminder of the rich history of storytelling before the visual dominance of television and film. For those who yearn for the nostalgia of radio's heyday, "Broadway Is My Beat" is a timeless treasure worth revisiting.

Listen to our radio station Old Time Radio https://link.radioking.com/otradio
Listen to other Shows at My Classic Radio https://www.myclassicradio.net/
Entertainment Radio | Broadcasting Classic Radio Shows | Patreon

Remember that times have changed, and some shows might not reflect the standards of today?s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio
2020-08-22
Link to episode

Broadway Is My Beat_50-03-17_(026)_The Charles And Jane Kimball Murder Case

The era of radio drama was a time when storytelling was a purely auditory experience, and "Broadway Is My Beat" was a shining example of this art form. Running on CBS from 1949 to 1954, this radio crime drama painted a vivid picture of New York City's underbelly, with Times Square Detective Danny Clover at the center of the action.
The show began with Anthony Ross voicing Detective Clover, bringing to life the gritty streets of New York during its first three months. However, it was Larry Thor who would become synonymous with the role for the remainder of the series. The atmospheric music by Robert Stringer and scripts by Peter Lyon set the tone for the dark and moody narratives that unfolded each week.
Directed by John Dietz and later produced by Lester Gottlieb, "Broadway Is My Beat" made a significant move from New York to Hollywood. This transition marked a new era for the show, with producer Elliott Lewis at the helm, introducing new scripts by Morton S. Fine and David Friedkin. The iconic opening theme, "I'll Take Manhattan," perfectly encapsulated the essence of Detective Clover's world, from Times Square to Columbus Circle.
The show was a collaborative effort, with music by Wilbur Hatch and Alexander Courage complementing the storytelling. The sound effects team, consisting of David Light, Ralph Cummings, and Ross Murray, played a crucial role in recreating the bustling soundscape of Manhattan.
The announcers, Bill Anders and Joe Walters, along with a supporting cast featuring Charles Calvert and Jack Kruschen, brought additional depth to the series. Notable guest stars from television, radio, and film graced the episodes, adding star power and variety to the show's roster.
"Broadway Is My Beat" remains a testament to the golden age of radio drama, showcasing the power of sound to transport listeners to another time and place. It serves as a reminder of the rich history of storytelling before the visual dominance of television and film. For those who yearn for the nostalgia of radio's heyday, "Broadway Is My Beat" is a timeless treasure worth revisiting.

Listen to our radio station Old Time Radio https://link.radioking.com/otradio
Listen to other Shows at My Classic Radio https://www.myclassicradio.net/
Entertainment Radio | Broadcasting Classic Radio Shows | Patreon

Remember that times have changed, and some shows might not reflect the standards of today?s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio
2020-08-22
Link to episode

Broadway Is My Beat_50-03-24_(027)_The Francie Green Murder Case

The era of radio drama was a time when storytelling was a purely auditory experience, and "Broadway Is My Beat" was a shining example of this art form. Running on CBS from 1949 to 1954, this radio crime drama painted a vivid picture of New York City's underbelly, with Times Square Detective Danny Clover at the center of the action.
The show began with Anthony Ross voicing Detective Clover, bringing to life the gritty streets of New York during its first three months. However, it was Larry Thor who would become synonymous with the role for the remainder of the series. The atmospheric music by Robert Stringer and scripts by Peter Lyon set the tone for the dark and moody narratives that unfolded each week.
Directed by John Dietz and later produced by Lester Gottlieb, "Broadway Is My Beat" made a significant move from New York to Hollywood. This transition marked a new era for the show, with producer Elliott Lewis at the helm, introducing new scripts by Morton S. Fine and David Friedkin. The iconic opening theme, "I'll Take Manhattan," perfectly encapsulated the essence of Detective Clover's world, from Times Square to Columbus Circle.
The show was a collaborative effort, with music by Wilbur Hatch and Alexander Courage complementing the storytelling. The sound effects team, consisting of David Light, Ralph Cummings, and Ross Murray, played a crucial role in recreating the bustling soundscape of Manhattan.
The announcers, Bill Anders and Joe Walters, along with a supporting cast featuring Charles Calvert and Jack Kruschen, brought additional depth to the series. Notable guest stars from television, radio, and film graced the episodes, adding star power and variety to the show's roster.
"Broadway Is My Beat" remains a testament to the golden age of radio drama, showcasing the power of sound to transport listeners to another time and place. It serves as a reminder of the rich history of storytelling before the visual dominance of television and film. For those who yearn for the nostalgia of radio's heyday, "Broadway Is My Beat" is a timeless treasure worth revisiting.

Listen to our radio station Old Time Radio https://link.radioking.com/otradio
Listen to other Shows at My Classic Radio https://www.myclassicradio.net/
Entertainment Radio | Broadcasting Classic Radio Shows | Patreon

Remember that times have changed, and some shows might not reflect the standards of today?s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio
2020-08-22
Link to episode

Broadway Is My Beat_50-03-31_(028)_The Hope Anderson Murder Case

The era of radio drama was a time when storytelling was a purely auditory experience, and "Broadway Is My Beat" was a shining example of this art form. Running on CBS from 1949 to 1954, this radio crime drama painted a vivid picture of New York City's underbelly, with Times Square Detective Danny Clover at the center of the action.
The show began with Anthony Ross voicing Detective Clover, bringing to life the gritty streets of New York during its first three months. However, it was Larry Thor who would become synonymous with the role for the remainder of the series. The atmospheric music by Robert Stringer and scripts by Peter Lyon set the tone for the dark and moody narratives that unfolded each week.
Directed by John Dietz and later produced by Lester Gottlieb, "Broadway Is My Beat" made a significant move from New York to Hollywood. This transition marked a new era for the show, with producer Elliott Lewis at the helm, introducing new scripts by Morton S. Fine and David Friedkin. The iconic opening theme, "I'll Take Manhattan," perfectly encapsulated the essence of Detective Clover's world, from Times Square to Columbus Circle.
The show was a collaborative effort, with music by Wilbur Hatch and Alexander Courage complementing the storytelling. The sound effects team, consisting of David Light, Ralph Cummings, and Ross Murray, played a crucial role in recreating the bustling soundscape of Manhattan.
The announcers, Bill Anders and Joe Walters, along with a supporting cast featuring Charles Calvert and Jack Kruschen, brought additional depth to the series. Notable guest stars from television, radio, and film graced the episodes, adding star power and variety to the show's roster.
"Broadway Is My Beat" remains a testament to the golden age of radio drama, showcasing the power of sound to transport listeners to another time and place. It serves as a reminder of the rich history of storytelling before the visual dominance of television and film. For those who yearn for the nostalgia of radio's heyday, "Broadway Is My Beat" is a timeless treasure worth revisiting.

Listen to our radio station Old Time Radio https://link.radioking.com/otradio
Listen to other Shows at My Classic Radio https://www.myclassicradio.net/
Entertainment Radio | Broadcasting Classic Radio Shows | Patreon

Remember that times have changed, and some shows might not reflect the standards of today?s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio
2020-08-22
Link to episode

Broadway Is My Beat_50-04-07_(029)_The Ernie Cauldwell Murder Case

The era of radio drama was a time when storytelling was a purely auditory experience, and "Broadway Is My Beat" was a shining example of this art form. Running on CBS from 1949 to 1954, this radio crime drama painted a vivid picture of New York City's underbelly, with Times Square Detective Danny Clover at the center of the action.
The show began with Anthony Ross voicing Detective Clover, bringing to life the gritty streets of New York during its first three months. However, it was Larry Thor who would become synonymous with the role for the remainder of the series. The atmospheric music by Robert Stringer and scripts by Peter Lyon set the tone for the dark and moody narratives that unfolded each week.
Directed by John Dietz and later produced by Lester Gottlieb, "Broadway Is My Beat" made a significant move from New York to Hollywood. This transition marked a new era for the show, with producer Elliott Lewis at the helm, introducing new scripts by Morton S. Fine and David Friedkin. The iconic opening theme, "I'll Take Manhattan," perfectly encapsulated the essence of Detective Clover's world, from Times Square to Columbus Circle.
The show was a collaborative effort, with music by Wilbur Hatch and Alexander Courage complementing the storytelling. The sound effects team, consisting of David Light, Ralph Cummings, and Ross Murray, played a crucial role in recreating the bustling soundscape of Manhattan.
The announcers, Bill Anders and Joe Walters, along with a supporting cast featuring Charles Calvert and Jack Kruschen, brought additional depth to the series. Notable guest stars from television, radio, and film graced the episodes, adding star power and variety to the show's roster.
"Broadway Is My Beat" remains a testament to the golden age of radio drama, showcasing the power of sound to transport listeners to another time and place. It serves as a reminder of the rich history of storytelling before the visual dominance of television and film. For those who yearn for the nostalgia of radio's heyday, "Broadway Is My Beat" is a timeless treasure worth revisiting.

Listen to our radio station Old Time Radio https://link.radioking.com/otradio
Listen to other Shows at My Classic Radio https://www.myclassicradio.net/
Entertainment Radio | Broadcasting Classic Radio Shows | Patreon

Remember that times have changed, and some shows might not reflect the standards of today?s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio
2020-08-22
Link to episode

Broadway Is My Beat_50-04-14_(030)_The Tommy Stafford Murder Case

The era of radio drama was a time when storytelling was a purely auditory experience, and "Broadway Is My Beat" was a shining example of this art form. Running on CBS from 1949 to 1954, this radio crime drama painted a vivid picture of New York City's underbelly, with Times Square Detective Danny Clover at the center of the action.
The show began with Anthony Ross voicing Detective Clover, bringing to life the gritty streets of New York during its first three months. However, it was Larry Thor who would become synonymous with the role for the remainder of the series. The atmospheric music by Robert Stringer and scripts by Peter Lyon set the tone for the dark and moody narratives that unfolded each week.
Directed by John Dietz and later produced by Lester Gottlieb, "Broadway Is My Beat" made a significant move from New York to Hollywood. This transition marked a new era for the show, with producer Elliott Lewis at the helm, introducing new scripts by Morton S. Fine and David Friedkin. The iconic opening theme, "I'll Take Manhattan," perfectly encapsulated the essence of Detective Clover's world, from Times Square to Columbus Circle.
The show was a collaborative effort, with music by Wilbur Hatch and Alexander Courage complementing the storytelling. The sound effects team, consisting of David Light, Ralph Cummings, and Ross Murray, played a crucial role in recreating the bustling soundscape of Manhattan.
The announcers, Bill Anders and Joe Walters, along with a supporting cast featuring Charles Calvert and Jack Kruschen, brought additional depth to the series. Notable guest stars from television, radio, and film graced the episodes, adding star power and variety to the show's roster.
"Broadway Is My Beat" remains a testament to the golden age of radio drama, showcasing the power of sound to transport listeners to another time and place. It serves as a reminder of the rich history of storytelling before the visual dominance of television and film. For those who yearn for the nostalgia of radio's heyday, "Broadway Is My Beat" is a timeless treasure worth revisiting.

Listen to our radio station Old Time Radio https://link.radioking.com/otradio
Listen to other Shows at My Classic Radio https://www.myclassicradio.net/
Entertainment Radio | Broadcasting Classic Radio Shows | Patreon

Remember that times have changed, and some shows might not reflect the standards of today?s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio
2020-08-22
Link to episode

Broadway Is My Beat_50-04-21_(031)_The Elaine Hill Murder Case

The era of radio drama was a time when storytelling was a purely auditory experience, and "Broadway Is My Beat" was a shining example of this art form. Running on CBS from 1949 to 1954, this radio crime drama painted a vivid picture of New York City's underbelly, with Times Square Detective Danny Clover at the center of the action.
The show began with Anthony Ross voicing Detective Clover, bringing to life the gritty streets of New York during its first three months. However, it was Larry Thor who would become synonymous with the role for the remainder of the series. The atmospheric music by Robert Stringer and scripts by Peter Lyon set the tone for the dark and moody narratives that unfolded each week.
Directed by John Dietz and later produced by Lester Gottlieb, "Broadway Is My Beat" made a significant move from New York to Hollywood. This transition marked a new era for the show, with producer Elliott Lewis at the helm, introducing new scripts by Morton S. Fine and David Friedkin. The iconic opening theme, "I'll Take Manhattan," perfectly encapsulated the essence of Detective Clover's world, from Times Square to Columbus Circle.
The show was a collaborative effort, with music by Wilbur Hatch and Alexander Courage complementing the storytelling. The sound effects team, consisting of David Light, Ralph Cummings, and Ross Murray, played a crucial role in recreating the bustling soundscape of Manhattan.
The announcers, Bill Anders and Joe Walters, along with a supporting cast featuring Charles Calvert and Jack Kruschen, brought additional depth to the series. Notable guest stars from television, radio, and film graced the episodes, adding star power and variety to the show's roster.
"Broadway Is My Beat" remains a testament to the golden age of radio drama, showcasing the power of sound to transport listeners to another time and place. It serves as a reminder of the rich history of storytelling before the visual dominance of television and film. For those who yearn for the nostalgia of radio's heyday, "Broadway Is My Beat" is a timeless treasure worth revisiting.

Listen to our radio station Old Time Radio https://link.radioking.com/otradio
Listen to other Shows at My Classic Radio https://www.myclassicradio.net/
Entertainment Radio | Broadcasting Classic Radio Shows | Patreon

Remember that times have changed, and some shows might not reflect the standards of today?s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio
2020-08-22
Link to episode

Broadway Is My Beat_50-05-05_(033)_The Thelma Harper Murder Case

The era of radio drama was a time when storytelling was a purely auditory experience, and "Broadway Is My Beat" was a shining example of this art form. Running on CBS from 1949 to 1954, this radio crime drama painted a vivid picture of New York City's underbelly, with Times Square Detective Danny Clover at the center of the action.
The show began with Anthony Ross voicing Detective Clover, bringing to life the gritty streets of New York during its first three months. However, it was Larry Thor who would become synonymous with the role for the remainder of the series. The atmospheric music by Robert Stringer and scripts by Peter Lyon set the tone for the dark and moody narratives that unfolded each week.
Directed by John Dietz and later produced by Lester Gottlieb, "Broadway Is My Beat" made a significant move from New York to Hollywood. This transition marked a new era for the show, with producer Elliott Lewis at the helm, introducing new scripts by Morton S. Fine and David Friedkin. The iconic opening theme, "I'll Take Manhattan," perfectly encapsulated the essence of Detective Clover's world, from Times Square to Columbus Circle.
The show was a collaborative effort, with music by Wilbur Hatch and Alexander Courage complementing the storytelling. The sound effects team, consisting of David Light, Ralph Cummings, and Ross Murray, played a crucial role in recreating the bustling soundscape of Manhattan.
The announcers, Bill Anders and Joe Walters, along with a supporting cast featuring Charles Calvert and Jack Kruschen, brought additional depth to the series. Notable guest stars from television, radio, and film graced the episodes, adding star power and variety to the show's roster.
"Broadway Is My Beat" remains a testament to the golden age of radio drama, showcasing the power of sound to transport listeners to another time and place. It serves as a reminder of the rich history of storytelling before the visual dominance of television and film. For those who yearn for the nostalgia of radio's heyday, "Broadway Is My Beat" is a timeless treasure worth revisiting.

Listen to our radio station Old Time Radio https://link.radioking.com/otradio
Listen to other Shows at My Classic Radio https://www.myclassicradio.net/
Entertainment Radio | Broadcasting Classic Radio Shows | Patreon

Remember that times have changed, and some shows might not reflect the standards of today?s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio
2020-08-22
Link to episode

Broadway Is My Beat_50-04-28_(032)_The Max Wendell Murder Case

The era of radio drama was a time when storytelling was a purely auditory experience, and "Broadway Is My Beat" was a shining example of this art form. Running on CBS from 1949 to 1954, this radio crime drama painted a vivid picture of New York City's underbelly, with Times Square Detective Danny Clover at the center of the action.
The show began with Anthony Ross voicing Detective Clover, bringing to life the gritty streets of New York during its first three months. However, it was Larry Thor who would become synonymous with the role for the remainder of the series. The atmospheric music by Robert Stringer and scripts by Peter Lyon set the tone for the dark and moody narratives that unfolded each week.
Directed by John Dietz and later produced by Lester Gottlieb, "Broadway Is My Beat" made a significant move from New York to Hollywood. This transition marked a new era for the show, with producer Elliott Lewis at the helm, introducing new scripts by Morton S. Fine and David Friedkin. The iconic opening theme, "I'll Take Manhattan," perfectly encapsulated the essence of Detective Clover's world, from Times Square to Columbus Circle.
The show was a collaborative effort, with music by Wilbur Hatch and Alexander Courage complementing the storytelling. The sound effects team, consisting of David Light, Ralph Cummings, and Ross Murray, played a crucial role in recreating the bustling soundscape of Manhattan.
The announcers, Bill Anders and Joe Walters, along with a supporting cast featuring Charles Calvert and Jack Kruschen, brought additional depth to the series. Notable guest stars from television, radio, and film graced the episodes, adding star power and variety to the show's roster.
"Broadway Is My Beat" remains a testament to the golden age of radio drama, showcasing the power of sound to transport listeners to another time and place. It serves as a reminder of the rich history of storytelling before the visual dominance of television and film. For those who yearn for the nostalgia of radio's heyday, "Broadway Is My Beat" is a timeless treasure worth revisiting.

Listen to our radio station Old Time Radio https://link.radioking.com/otradio
Listen to other Shows at My Classic Radio https://www.myclassicradio.net/
Entertainment Radio | Broadcasting Classic Radio Shows | Patreon

Remember that times have changed, and some shows might not reflect the standards of today?s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio
2020-08-22
Link to episode

Broadway Is My Beat_50-05-12_(034)_The Marcia Dean Murder Case

The era of radio drama was a time when storytelling was a purely auditory experience, and "Broadway Is My Beat" was a shining example of this art form. Running on CBS from 1949 to 1954, this radio crime drama painted a vivid picture of New York City's underbelly, with Times Square Detective Danny Clover at the center of the action.
The show began with Anthony Ross voicing Detective Clover, bringing to life the gritty streets of New York during its first three months. However, it was Larry Thor who would become synonymous with the role for the remainder of the series. The atmospheric music by Robert Stringer and scripts by Peter Lyon set the tone for the dark and moody narratives that unfolded each week.
Directed by John Dietz and later produced by Lester Gottlieb, "Broadway Is My Beat" made a significant move from New York to Hollywood. This transition marked a new era for the show, with producer Elliott Lewis at the helm, introducing new scripts by Morton S. Fine and David Friedkin. The iconic opening theme, "I'll Take Manhattan," perfectly encapsulated the essence of Detective Clover's world, from Times Square to Columbus Circle.
The show was a collaborative effort, with music by Wilbur Hatch and Alexander Courage complementing the storytelling. The sound effects team, consisting of David Light, Ralph Cummings, and Ross Murray, played a crucial role in recreating the bustling soundscape of Manhattan.
The announcers, Bill Anders and Joe Walters, along with a supporting cast featuring Charles Calvert and Jack Kruschen, brought additional depth to the series. Notable guest stars from television, radio, and film graced the episodes, adding star power and variety to the show's roster.
"Broadway Is My Beat" remains a testament to the golden age of radio drama, showcasing the power of sound to transport listeners to another time and place. It serves as a reminder of the rich history of storytelling before the visual dominance of television and film. For those who yearn for the nostalgia of radio's heyday, "Broadway Is My Beat" is a timeless treasure worth revisiting.

Listen to our radio station Old Time Radio https://link.radioking.com/otradio
Listen to other Shows at My Classic Radio https://www.myclassicradio.net/
Entertainment Radio | Broadcasting Classic Radio Shows | Patreon

Remember that times have changed, and some shows might not reflect the standards of today?s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio
2020-08-22
Link to episode

Broadway Is My Beat_50-05-19_(035)_The Jane Arnold Murder Case

The era of radio drama was a time when storytelling was a purely auditory experience, and "Broadway Is My Beat" was a shining example of this art form. Running on CBS from 1949 to 1954, this radio crime drama painted a vivid picture of New York City's underbelly, with Times Square Detective Danny Clover at the center of the action.
The show began with Anthony Ross voicing Detective Clover, bringing to life the gritty streets of New York during its first three months. However, it was Larry Thor who would become synonymous with the role for the remainder of the series. The atmospheric music by Robert Stringer and scripts by Peter Lyon set the tone for the dark and moody narratives that unfolded each week.
Directed by John Dietz and later produced by Lester Gottlieb, "Broadway Is My Beat" made a significant move from New York to Hollywood. This transition marked a new era for the show, with producer Elliott Lewis at the helm, introducing new scripts by Morton S. Fine and David Friedkin. The iconic opening theme, "I'll Take Manhattan," perfectly encapsulated the essence of Detective Clover's world, from Times Square to Columbus Circle.
The show was a collaborative effort, with music by Wilbur Hatch and Alexander Courage complementing the storytelling. The sound effects team, consisting of David Light, Ralph Cummings, and Ross Murray, played a crucial role in recreating the bustling soundscape of Manhattan.
The announcers, Bill Anders and Joe Walters, along with a supporting cast featuring Charles Calvert and Jack Kruschen, brought additional depth to the series. Notable guest stars from television, radio, and film graced the episodes, adding star power and variety to the show's roster.
"Broadway Is My Beat" remains a testament to the golden age of radio drama, showcasing the power of sound to transport listeners to another time and place. It serves as a reminder of the rich history of storytelling before the visual dominance of television and film. For those who yearn for the nostalgia of radio's heyday, "Broadway Is My Beat" is a timeless treasure worth revisiting.

Listen to our radio station Old Time Radio https://link.radioking.com/otradio
Listen to other Shows at My Classic Radio https://www.myclassicradio.net/
Entertainment Radio | Broadcasting Classic Radio Shows | Patreon

Remember that times have changed, and some shows might not reflect the standards of today?s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio
2020-08-22
Link to episode

Broadway Is My Beat_50-05-26_(036)_The Ann Cornell Murder Case

The era of radio drama was a time when storytelling was a purely auditory experience, and "Broadway Is My Beat" was a shining example of this art form. Running on CBS from 1949 to 1954, this radio crime drama painted a vivid picture of New York City's underbelly, with Times Square Detective Danny Clover at the center of the action.
The show began with Anthony Ross voicing Detective Clover, bringing to life the gritty streets of New York during its first three months. However, it was Larry Thor who would become synonymous with the role for the remainder of the series. The atmospheric music by Robert Stringer and scripts by Peter Lyon set the tone for the dark and moody narratives that unfolded each week.
Directed by John Dietz and later produced by Lester Gottlieb, "Broadway Is My Beat" made a significant move from New York to Hollywood. This transition marked a new era for the show, with producer Elliott Lewis at the helm, introducing new scripts by Morton S. Fine and David Friedkin. The iconic opening theme, "I'll Take Manhattan," perfectly encapsulated the essence of Detective Clover's world, from Times Square to Columbus Circle.
The show was a collaborative effort, with music by Wilbur Hatch and Alexander Courage complementing the storytelling. The sound effects team, consisting of David Light, Ralph Cummings, and Ross Murray, played a crucial role in recreating the bustling soundscape of Manhattan.
The announcers, Bill Anders and Joe Walters, along with a supporting cast featuring Charles Calvert and Jack Kruschen, brought additional depth to the series. Notable guest stars from television, radio, and film graced the episodes, adding star power and variety to the show's roster.
"Broadway Is My Beat" remains a testament to the golden age of radio drama, showcasing the power of sound to transport listeners to another time and place. It serves as a reminder of the rich history of storytelling before the visual dominance of television and film. For those who yearn for the nostalgia of radio's heyday, "Broadway Is My Beat" is a timeless treasure worth revisiting.

Listen to our radio station Old Time Radio https://link.radioking.com/otradio
Listen to other Shows at My Classic Radio https://www.myclassicradio.net/
Entertainment Radio | Broadcasting Classic Radio Shows | Patreon

Remember that times have changed, and some shows might not reflect the standards of today?s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio
2020-08-22
Link to episode

Broadway Is My Beat_50-06-02_(037)_The Mario La Vecchia Murder Case

The era of radio drama was a time when storytelling was a purely auditory experience, and "Broadway Is My Beat" was a shining example of this art form. Running on CBS from 1949 to 1954, this radio crime drama painted a vivid picture of New York City's underbelly, with Times Square Detective Danny Clover at the center of the action.
The show began with Anthony Ross voicing Detective Clover, bringing to life the gritty streets of New York during its first three months. However, it was Larry Thor who would become synonymous with the role for the remainder of the series. The atmospheric music by Robert Stringer and scripts by Peter Lyon set the tone for the dark and moody narratives that unfolded each week.
Directed by John Dietz and later produced by Lester Gottlieb, "Broadway Is My Beat" made a significant move from New York to Hollywood. This transition marked a new era for the show, with producer Elliott Lewis at the helm, introducing new scripts by Morton S. Fine and David Friedkin. The iconic opening theme, "I'll Take Manhattan," perfectly encapsulated the essence of Detective Clover's world, from Times Square to Columbus Circle.
The show was a collaborative effort, with music by Wilbur Hatch and Alexander Courage complementing the storytelling. The sound effects team, consisting of David Light, Ralph Cummings, and Ross Murray, played a crucial role in recreating the bustling soundscape of Manhattan.
The announcers, Bill Anders and Joe Walters, along with a supporting cast featuring Charles Calvert and Jack Kruschen, brought additional depth to the series. Notable guest stars from television, radio, and film graced the episodes, adding star power and variety to the show's roster.
"Broadway Is My Beat" remains a testament to the golden age of radio drama, showcasing the power of sound to transport listeners to another time and place. It serves as a reminder of the rich history of storytelling before the visual dominance of television and film. For those who yearn for the nostalgia of radio's heyday, "Broadway Is My Beat" is a timeless treasure worth revisiting.

Listen to our radio station Old Time Radio https://link.radioking.com/otradio
Listen to other Shows at My Classic Radio https://www.myclassicradio.net/
Entertainment Radio | Broadcasting Classic Radio Shows | Patreon

Remember that times have changed, and some shows might not reflect the standards of today?s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio
2020-08-22
Link to episode

Broadway Is My Beat_50-06-09_(038)_The Ted Forstek And Ruth Ballard Murder Case

The era of radio drama was a time when storytelling was a purely auditory experience, and "Broadway Is My Beat" was a shining example of this art form. Running on CBS from 1949 to 1954, this radio crime drama painted a vivid picture of New York City's underbelly, with Times Square Detective Danny Clover at the center of the action.
The show began with Anthony Ross voicing Detective Clover, bringing to life the gritty streets of New York during its first three months. However, it was Larry Thor who would become synonymous with the role for the remainder of the series. The atmospheric music by Robert Stringer and scripts by Peter Lyon set the tone for the dark and moody narratives that unfolded each week.
Directed by John Dietz and later produced by Lester Gottlieb, "Broadway Is My Beat" made a significant move from New York to Hollywood. This transition marked a new era for the show, with producer Elliott Lewis at the helm, introducing new scripts by Morton S. Fine and David Friedkin. The iconic opening theme, "I'll Take Manhattan," perfectly encapsulated the essence of Detective Clover's world, from Times Square to Columbus Circle.
The show was a collaborative effort, with music by Wilbur Hatch and Alexander Courage complementing the storytelling. The sound effects team, consisting of David Light, Ralph Cummings, and Ross Murray, played a crucial role in recreating the bustling soundscape of Manhattan.
The announcers, Bill Anders and Joe Walters, along with a supporting cast featuring Charles Calvert and Jack Kruschen, brought additional depth to the series. Notable guest stars from television, radio, and film graced the episodes, adding star power and variety to the show's roster.
"Broadway Is My Beat" remains a testament to the golden age of radio drama, showcasing the power of sound to transport listeners to another time and place. It serves as a reminder of the rich history of storytelling before the visual dominance of television and film. For those who yearn for the nostalgia of radio's heyday, "Broadway Is My Beat" is a timeless treasure worth revisiting.

Listen to our radio station Old Time Radio https://link.radioking.com/otradio
Listen to other Shows at My Classic Radio https://www.myclassicradio.net/
Entertainment Radio | Broadcasting Classic Radio Shows | Patreon

Remember that times have changed, and some shows might not reflect the standards of today?s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio
2020-08-22
Link to episode

Broadway Is My Beat_50-06-16_(039)_The Morris Bernstein Murder Case

The era of radio drama was a time when storytelling was a purely auditory experience, and "Broadway Is My Beat" was a shining example of this art form. Running on CBS from 1949 to 1954, this radio crime drama painted a vivid picture of New York City's underbelly, with Times Square Detective Danny Clover at the center of the action.
The show began with Anthony Ross voicing Detective Clover, bringing to life the gritty streets of New York during its first three months. However, it was Larry Thor who would become synonymous with the role for the remainder of the series. The atmospheric music by Robert Stringer and scripts by Peter Lyon set the tone for the dark and moody narratives that unfolded each week.
Directed by John Dietz and later produced by Lester Gottlieb, "Broadway Is My Beat" made a significant move from New York to Hollywood. This transition marked a new era for the show, with producer Elliott Lewis at the helm, introducing new scripts by Morton S. Fine and David Friedkin. The iconic opening theme, "I'll Take Manhattan," perfectly encapsulated the essence of Detective Clover's world, from Times Square to Columbus Circle.
The show was a collaborative effort, with music by Wilbur Hatch and Alexander Courage complementing the storytelling. The sound effects team, consisting of David Light, Ralph Cummings, and Ross Murray, played a crucial role in recreating the bustling soundscape of Manhattan.
The announcers, Bill Anders and Joe Walters, along with a supporting cast featuring Charles Calvert and Jack Kruschen, brought additional depth to the series. Notable guest stars from television, radio, and film graced the episodes, adding star power and variety to the show's roster.
"Broadway Is My Beat" remains a testament to the golden age of radio drama, showcasing the power of sound to transport listeners to another time and place. It serves as a reminder of the rich history of storytelling before the visual dominance of television and film. For those who yearn for the nostalgia of radio's heyday, "Broadway Is My Beat" is a timeless treasure worth revisiting.

Listen to our radio station Old Time Radio https://link.radioking.com/otradio
Listen to other Shows at My Classic Radio https://www.myclassicradio.net/
Entertainment Radio | Broadcasting Classic Radio Shows | Patreon

Remember that times have changed, and some shows might not reflect the standards of today?s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio
2020-08-22
Link to episode

Broadway Is My Beat_50-06-23_(040)_The Steve Courtney Murder Case

The era of radio drama was a time when storytelling was a purely auditory experience, and "Broadway Is My Beat" was a shining example of this art form. Running on CBS from 1949 to 1954, this radio crime drama painted a vivid picture of New York City's underbelly, with Times Square Detective Danny Clover at the center of the action.
The show began with Anthony Ross voicing Detective Clover, bringing to life the gritty streets of New York during its first three months. However, it was Larry Thor who would become synonymous with the role for the remainder of the series. The atmospheric music by Robert Stringer and scripts by Peter Lyon set the tone for the dark and moody narratives that unfolded each week.
Directed by John Dietz and later produced by Lester Gottlieb, "Broadway Is My Beat" made a significant move from New York to Hollywood. This transition marked a new era for the show, with producer Elliott Lewis at the helm, introducing new scripts by Morton S. Fine and David Friedkin. The iconic opening theme, "I'll Take Manhattan," perfectly encapsulated the essence of Detective Clover's world, from Times Square to Columbus Circle.
The show was a collaborative effort, with music by Wilbur Hatch and Alexander Courage complementing the storytelling. The sound effects team, consisting of David Light, Ralph Cummings, and Ross Murray, played a crucial role in recreating the bustling soundscape of Manhattan.
The announcers, Bill Anders and Joe Walters, along with a supporting cast featuring Charles Calvert and Jack Kruschen, brought additional depth to the series. Notable guest stars from television, radio, and film graced the episodes, adding star power and variety to the show's roster.
"Broadway Is My Beat" remains a testament to the golden age of radio drama, showcasing the power of sound to transport listeners to another time and place. It serves as a reminder of the rich history of storytelling before the visual dominance of television and film. For those who yearn for the nostalgia of radio's heyday, "Broadway Is My Beat" is a timeless treasure worth revisiting.

Listen to our radio station Old Time Radio https://link.radioking.com/otradio
Listen to other Shows at My Classic Radio https://www.myclassicradio.net/
Entertainment Radio | Broadcasting Classic Radio Shows | Patreon

Remember that times have changed, and some shows might not reflect the standards of today?s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio
2020-08-22
Link to episode

Broadway Is My Beat_50-07-03_(041)_The Frank Conway Murder Case

The era of radio drama was a time when storytelling was a purely auditory experience, and "Broadway Is My Beat" was a shining example of this art form. Running on CBS from 1949 to 1954, this radio crime drama painted a vivid picture of New York City's underbelly, with Times Square Detective Danny Clover at the center of the action.
The show began with Anthony Ross voicing Detective Clover, bringing to life the gritty streets of New York during its first three months. However, it was Larry Thor who would become synonymous with the role for the remainder of the series. The atmospheric music by Robert Stringer and scripts by Peter Lyon set the tone for the dark and moody narratives that unfolded each week.
Directed by John Dietz and later produced by Lester Gottlieb, "Broadway Is My Beat" made a significant move from New York to Hollywood. This transition marked a new era for the show, with producer Elliott Lewis at the helm, introducing new scripts by Morton S. Fine and David Friedkin. The iconic opening theme, "I'll Take Manhattan," perfectly encapsulated the essence of Detective Clover's world, from Times Square to Columbus Circle.
The show was a collaborative effort, with music by Wilbur Hatch and Alexander Courage complementing the storytelling. The sound effects team, consisting of David Light, Ralph Cummings, and Ross Murray, played a crucial role in recreating the bustling soundscape of Manhattan.
The announcers, Bill Anders and Joe Walters, along with a supporting cast featuring Charles Calvert and Jack Kruschen, brought additional depth to the series. Notable guest stars from television, radio, and film graced the episodes, adding star power and variety to the show's roster.
"Broadway Is My Beat" remains a testament to the golden age of radio drama, showcasing the power of sound to transport listeners to another time and place. It serves as a reminder of the rich history of storytelling before the visual dominance of television and film. For those who yearn for the nostalgia of radio's heyday, "Broadway Is My Beat" is a timeless treasure worth revisiting.

Listen to our radio station Old Time Radio https://link.radioking.com/otradio
Listen to other Shows at My Classic Radio https://www.myclassicradio.net/
Entertainment Radio | Broadcasting Classic Radio Shows | Patreon

Remember that times have changed, and some shows might not reflect the standards of today?s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio
2020-08-22
Link to episode

Broadway Is My Beat_50-07-10_(042)_The Frank Briscoe Murder Case

The era of radio drama was a time when storytelling was a purely auditory experience, and "Broadway Is My Beat" was a shining example of this art form. Running on CBS from 1949 to 1954, this radio crime drama painted a vivid picture of New York City's underbelly, with Times Square Detective Danny Clover at the center of the action.
The show began with Anthony Ross voicing Detective Clover, bringing to life the gritty streets of New York during its first three months. However, it was Larry Thor who would become synonymous with the role for the remainder of the series. The atmospheric music by Robert Stringer and scripts by Peter Lyon set the tone for the dark and moody narratives that unfolded each week.
Directed by John Dietz and later produced by Lester Gottlieb, "Broadway Is My Beat" made a significant move from New York to Hollywood. This transition marked a new era for the show, with producer Elliott Lewis at the helm, introducing new scripts by Morton S. Fine and David Friedkin. The iconic opening theme, "I'll Take Manhattan," perfectly encapsulated the essence of Detective Clover's world, from Times Square to Columbus Circle.
The show was a collaborative effort, with music by Wilbur Hatch and Alexander Courage complementing the storytelling. The sound effects team, consisting of David Light, Ralph Cummings, and Ross Murray, played a crucial role in recreating the bustling soundscape of Manhattan.
The announcers, Bill Anders and Joe Walters, along with a supporting cast featuring Charles Calvert and Jack Kruschen, brought additional depth to the series. Notable guest stars from television, radio, and film graced the episodes, adding star power and variety to the show's roster.
"Broadway Is My Beat" remains a testament to the golden age of radio drama, showcasing the power of sound to transport listeners to another time and place. It serves as a reminder of the rich history of storytelling before the visual dominance of television and film. For those who yearn for the nostalgia of radio's heyday, "Broadway Is My Beat" is a timeless treasure worth revisiting.

Listen to our radio station Old Time Radio https://link.radioking.com/otradio
Listen to other Shows at My Classic Radio https://www.myclassicradio.net/
Entertainment Radio | Broadcasting Classic Radio Shows | Patreon

Remember that times have changed, and some shows might not reflect the standards of today?s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio
2020-08-22
Link to episode

Broadway Is My Beat_50-07-17_(043)_The Amelia Ramirez Murder Case

The era of radio drama was a time when storytelling was a purely auditory experience, and "Broadway Is My Beat" was a shining example of this art form. Running on CBS from 1949 to 1954, this radio crime drama painted a vivid picture of New York City's underbelly, with Times Square Detective Danny Clover at the center of the action.
The show began with Anthony Ross voicing Detective Clover, bringing to life the gritty streets of New York during its first three months. However, it was Larry Thor who would become synonymous with the role for the remainder of the series. The atmospheric music by Robert Stringer and scripts by Peter Lyon set the tone for the dark and moody narratives that unfolded each week.
Directed by John Dietz and later produced by Lester Gottlieb, "Broadway Is My Beat" made a significant move from New York to Hollywood. This transition marked a new era for the show, with producer Elliott Lewis at the helm, introducing new scripts by Morton S. Fine and David Friedkin. The iconic opening theme, "I'll Take Manhattan," perfectly encapsulated the essence of Detective Clover's world, from Times Square to Columbus Circle.
The show was a collaborative effort, with music by Wilbur Hatch and Alexander Courage complementing the storytelling. The sound effects team, consisting of David Light, Ralph Cummings, and Ross Murray, played a crucial role in recreating the bustling soundscape of Manhattan.
The announcers, Bill Anders and Joe Walters, along with a supporting cast featuring Charles Calvert and Jack Kruschen, brought additional depth to the series. Notable guest stars from television, radio, and film graced the episodes, adding star power and variety to the show's roster.
"Broadway Is My Beat" remains a testament to the golden age of radio drama, showcasing the power of sound to transport listeners to another time and place. It serves as a reminder of the rich history of storytelling before the visual dominance of television and film. For those who yearn for the nostalgia of radio's heyday, "Broadway Is My Beat" is a timeless treasure worth revisiting.

Listen to our radio station Old Time Radio https://link.radioking.com/otradio
Listen to other Shows at My Classic Radio https://www.myclassicradio.net/
Entertainment Radio | Broadcasting Classic Radio Shows | Patreon

Remember that times have changed, and some shows might not reflect the standards of today?s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio
2020-08-22
Link to episode

Broadway Is My Beat_50-07-24_(044)_The Celia Jordan Murder Case

The era of radio drama was a time when storytelling was a purely auditory experience, and "Broadway Is My Beat" was a shining example of this art form. Running on CBS from 1949 to 1954, this radio crime drama painted a vivid picture of New York City's underbelly, with Times Square Detective Danny Clover at the center of the action.
The show began with Anthony Ross voicing Detective Clover, bringing to life the gritty streets of New York during its first three months. However, it was Larry Thor who would become synonymous with the role for the remainder of the series. The atmospheric music by Robert Stringer and scripts by Peter Lyon set the tone for the dark and moody narratives that unfolded each week.
Directed by John Dietz and later produced by Lester Gottlieb, "Broadway Is My Beat" made a significant move from New York to Hollywood. This transition marked a new era for the show, with producer Elliott Lewis at the helm, introducing new scripts by Morton S. Fine and David Friedkin. The iconic opening theme, "I'll Take Manhattan," perfectly encapsulated the essence of Detective Clover's world, from Times Square to Columbus Circle.
The show was a collaborative effort, with music by Wilbur Hatch and Alexander Courage complementing the storytelling. The sound effects team, consisting of David Light, Ralph Cummings, and Ross Murray, played a crucial role in recreating the bustling soundscape of Manhattan.
The announcers, Bill Anders and Joe Walters, along with a supporting cast featuring Charles Calvert and Jack Kruschen, brought additional depth to the series. Notable guest stars from television, radio, and film graced the episodes, adding star power and variety to the show's roster.
"Broadway Is My Beat" remains a testament to the golden age of radio drama, showcasing the power of sound to transport listeners to another time and place. It serves as a reminder of the rich history of storytelling before the visual dominance of television and film. For those who yearn for the nostalgia of radio's heyday, "Broadway Is My Beat" is a timeless treasure worth revisiting.

Listen to our radio station Old Time Radio https://link.radioking.com/otradio
Listen to other Shows at My Classic Radio https://www.myclassicradio.net/
Entertainment Radio | Broadcasting Classic Radio Shows | Patreon

Remember that times have changed, and some shows might not reflect the standards of today?s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio
2020-08-22
Link to episode

Broadway Is My Beat_50-07-31_(045)_The Harry Brett Murder Case

The era of radio drama was a time when storytelling was a purely auditory experience, and "Broadway Is My Beat" was a shining example of this art form. Running on CBS from 1949 to 1954, this radio crime drama painted a vivid picture of New York City's underbelly, with Times Square Detective Danny Clover at the center of the action.
The show began with Anthony Ross voicing Detective Clover, bringing to life the gritty streets of New York during its first three months. However, it was Larry Thor who would become synonymous with the role for the remainder of the series. The atmospheric music by Robert Stringer and scripts by Peter Lyon set the tone for the dark and moody narratives that unfolded each week.
Directed by John Dietz and later produced by Lester Gottlieb, "Broadway Is My Beat" made a significant move from New York to Hollywood. This transition marked a new era for the show, with producer Elliott Lewis at the helm, introducing new scripts by Morton S. Fine and David Friedkin. The iconic opening theme, "I'll Take Manhattan," perfectly encapsulated the essence of Detective Clover's world, from Times Square to Columbus Circle.
The show was a collaborative effort, with music by Wilbur Hatch and Alexander Courage complementing the storytelling. The sound effects team, consisting of David Light, Ralph Cummings, and Ross Murray, played a crucial role in recreating the bustling soundscape of Manhattan.
The announcers, Bill Anders and Joe Walters, along with a supporting cast featuring Charles Calvert and Jack Kruschen, brought additional depth to the series. Notable guest stars from television, radio, and film graced the episodes, adding star power and variety to the show's roster.
"Broadway Is My Beat" remains a testament to the golden age of radio drama, showcasing the power of sound to transport listeners to another time and place. It serves as a reminder of the rich history of storytelling before the visual dominance of television and film. For those who yearn for the nostalgia of radio's heyday, "Broadway Is My Beat" is a timeless treasure worth revisiting.

Listen to our radio station Old Time Radio https://link.radioking.com/otradio
Listen to other Shows at My Classic Radio https://www.myclassicradio.net/
Entertainment Radio | Broadcasting Classic Radio Shows | Patreon

Remember that times have changed, and some shows might not reflect the standards of today?s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio
2020-08-22
Link to episode

Broadway Is My Beat_50-08-07_(046)_The Jack Jorno Murder Case

The era of radio drama was a time when storytelling was a purely auditory experience, and "Broadway Is My Beat" was a shining example of this art form. Running on CBS from 1949 to 1954, this radio crime drama painted a vivid picture of New York City's underbelly, with Times Square Detective Danny Clover at the center of the action.
The show began with Anthony Ross voicing Detective Clover, bringing to life the gritty streets of New York during its first three months. However, it was Larry Thor who would become synonymous with the role for the remainder of the series. The atmospheric music by Robert Stringer and scripts by Peter Lyon set the tone for the dark and moody narratives that unfolded each week.
Directed by John Dietz and later produced by Lester Gottlieb, "Broadway Is My Beat" made a significant move from New York to Hollywood. This transition marked a new era for the show, with producer Elliott Lewis at the helm, introducing new scripts by Morton S. Fine and David Friedkin. The iconic opening theme, "I'll Take Manhattan," perfectly encapsulated the essence of Detective Clover's world, from Times Square to Columbus Circle.
The show was a collaborative effort, with music by Wilbur Hatch and Alexander Courage complementing the storytelling. The sound effects team, consisting of David Light, Ralph Cummings, and Ross Murray, played a crucial role in recreating the bustling soundscape of Manhattan.
The announcers, Bill Anders and Joe Walters, along with a supporting cast featuring Charles Calvert and Jack Kruschen, brought additional depth to the series. Notable guest stars from television, radio, and film graced the episodes, adding star power and variety to the show's roster.
"Broadway Is My Beat" remains a testament to the golden age of radio drama, showcasing the power of sound to transport listeners to another time and place. It serves as a reminder of the rich history of storytelling before the visual dominance of television and film. For those who yearn for the nostalgia of radio's heyday, "Broadway Is My Beat" is a timeless treasure worth revisiting.

Listen to our radio station Old Time Radio https://link.radioking.com/otradio
Listen to other Shows at My Classic Radio https://www.myclassicradio.net/
Entertainment Radio | Broadcasting Classic Radio Shows | Patreon

Remember that times have changed, and some shows might not reflect the standards of today?s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio
2020-08-22
Link to episode

Broadway Is My Beat_50-08-14_(047)_The Mary Demming Murder Case

The era of radio drama was a time when storytelling was a purely auditory experience, and "Broadway Is My Beat" was a shining example of this art form. Running on CBS from 1949 to 1954, this radio crime drama painted a vivid picture of New York City's underbelly, with Times Square Detective Danny Clover at the center of the action.
The show began with Anthony Ross voicing Detective Clover, bringing to life the gritty streets of New York during its first three months. However, it was Larry Thor who would become synonymous with the role for the remainder of the series. The atmospheric music by Robert Stringer and scripts by Peter Lyon set the tone for the dark and moody narratives that unfolded each week.
Directed by John Dietz and later produced by Lester Gottlieb, "Broadway Is My Beat" made a significant move from New York to Hollywood. This transition marked a new era for the show, with producer Elliott Lewis at the helm, introducing new scripts by Morton S. Fine and David Friedkin. The iconic opening theme, "I'll Take Manhattan," perfectly encapsulated the essence of Detective Clover's world, from Times Square to Columbus Circle.
The show was a collaborative effort, with music by Wilbur Hatch and Alexander Courage complementing the storytelling. The sound effects team, consisting of David Light, Ralph Cummings, and Ross Murray, played a crucial role in recreating the bustling soundscape of Manhattan.
The announcers, Bill Anders and Joe Walters, along with a supporting cast featuring Charles Calvert and Jack Kruschen, brought additional depth to the series. Notable guest stars from television, radio, and film graced the episodes, adding star power and variety to the show's roster.
"Broadway Is My Beat" remains a testament to the golden age of radio drama, showcasing the power of sound to transport listeners to another time and place. It serves as a reminder of the rich history of storytelling before the visual dominance of television and film. For those who yearn for the nostalgia of radio's heyday, "Broadway Is My Beat" is a timeless treasure worth revisiting.

Listen to our radio station Old Time Radio https://link.radioking.com/otradio
Listen to other Shows at My Classic Radio https://www.myclassicradio.net/
Entertainment Radio | Broadcasting Classic Radio Shows | Patreon

Remember that times have changed, and some shows might not reflect the standards of today?s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio
2020-08-22
Link to episode

Broadway Is My Beat_50-08-21_(048)_Tom And Alice Corey Suicide Pact

The era of radio drama was a time when storytelling was a purely auditory experience, and "Broadway Is My Beat" was a shining example of this art form. Running on CBS from 1949 to 1954, this radio crime drama painted a vivid picture of New York City's underbelly, with Times Square Detective Danny Clover at the center of the action.
The show began with Anthony Ross voicing Detective Clover, bringing to life the gritty streets of New York during its first three months. However, it was Larry Thor who would become synonymous with the role for the remainder of the series. The atmospheric music by Robert Stringer and scripts by Peter Lyon set the tone for the dark and moody narratives that unfolded each week.
Directed by John Dietz and later produced by Lester Gottlieb, "Broadway Is My Beat" made a significant move from New York to Hollywood. This transition marked a new era for the show, with producer Elliott Lewis at the helm, introducing new scripts by Morton S. Fine and David Friedkin. The iconic opening theme, "I'll Take Manhattan," perfectly encapsulated the essence of Detective Clover's world, from Times Square to Columbus Circle.
The show was a collaborative effort, with music by Wilbur Hatch and Alexander Courage complementing the storytelling. The sound effects team, consisting of David Light, Ralph Cummings, and Ross Murray, played a crucial role in recreating the bustling soundscape of Manhattan.
The announcers, Bill Anders and Joe Walters, along with a supporting cast featuring Charles Calvert and Jack Kruschen, brought additional depth to the series. Notable guest stars from television, radio, and film graced the episodes, adding star power and variety to the show's roster.
"Broadway Is My Beat" remains a testament to the golden age of radio drama, showcasing the power of sound to transport listeners to another time and place. It serves as a reminder of the rich history of storytelling before the visual dominance of television and film. For those who yearn for the nostalgia of radio's heyday, "Broadway Is My Beat" is a timeless treasure worth revisiting.

Listen to our radio station Old Time Radio https://link.radioking.com/otradio
Listen to other Shows at My Classic Radio https://www.myclassicradio.net/
Entertainment Radio | Broadcasting Classic Radio Shows | Patreon

Remember that times have changed, and some shows might not reflect the standards of today?s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio
2020-08-22
Link to episode
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