As the first insider Beatles tell-all (not counting Francie Schwartz's Body Count - because why would I) - 1983's The Love You Make, a collaboration between Brian Epstein's protege Peter Brown and today's guest, shocked fans with what was perceived as an airing of dirty laundry. Drug use, infidelity, betrayal, wife-swapping, and overall bad behavior was chronicled in detail, and Brown's insider status gave credence to the reporting.   But many Beatle historians recognize the inaccuracies and questionable decision making, rendering what was once a best-selling book into something with considerably less esteem, to put it one way. But the original interviews with an array of insiders, many of them now dead, has arrived as a sort of unfiltered access to the source material. All You Need is Love is out now, and presents many witnesses, sum of questionable veracity, but with little comment, allowing the reader to judge their truthfulness for themselves.    Read it here - Erin Weber's review of the earlier book (and Steven's response in the comments): https://beatlebioreview.wordpress.com/2019/08/19/and-in-the-end-book-review-peter-browns-the-love-you-make/

At last: the SATB conversation with the man who brought The Beatles' road manager's long missing manuscript to press. Living The Beatles Legend is the story Mal wanted to tell before his life ended at 40 in Los Angeles in a hail of gunfire in 1976. But perhaps the wait was worth it to get his insider eye-witness story augmented by research and interviews Ken has conducted to fully flesh out the story. 

This talk covers the first volume of this must-read book. Another volume, presenting the Evans photo archive and diaries, is due out later this year   

Today is her 80th birthday, and given the attention being brought by the auction of some personal items through Christie's (see https://onlineonly.christies.com/s/pattie-boyd-collection/lots/3508 ), the time was right for a conversation. We made the most of the hour, given the demand for interviews right about now, but among the things discussed were: 

Meeting George on the set of A Hard Day's Night

Her views on how fans see her

The Fool 

Apple boutique   Rishikesh 

Get Back

Philip Norman

The happiest time

and more...

Listeners: you may recall my conversation with Robert Rosen (245), detailing the blocking of a pair of books by reputable authors that detailed the "househusband" years of John's life; it evolved out of an essay Robert wrote. Well, one of those writers is here to tell his story himself. 

Michael Meideros was hired in 1977 to work on the indoor gardening at the Lennon's Dakota apartments. But as he performed his assigned tasks, his role grew to ad hoc personal assistant and eventually, archivist. His memoir, Barefoot in Nutopia, remains unpublished - yet. But Michael wanted to share some stories and insights and we're happy to have him, in what we project to be the first of at least two conversations. Subjects include day-to-day life, Yoko, Bermuda, Fred Seaman, and the night the unspeakable occurred, and its aftermath. 

Listeners: you may recall my conversation with Robert Rosen (245), detailing the blocking of a pair of books by reputable authors that detailed the "househusband" years of John's life; it evolved out of an essay Robert wrote. Well, one of those writers is here to tell his story himself. 

Michael Meideros was hired in 1977 to work on the indoor gardening at the Lennon's Dakota apartments. But as he performed his assigned tasks, his role grew to ad hoc personal assistant and eventually, archivist. His memoir, Barefoot in Nutopia, remains unpublished - yet. But Michael wanted to share some stories and insights and we're happy to have him, in what we project to be the first of at least two conversations. Subjects include day-to-day life, Yoko, Bermuda, Fred Seaman, and the night the unspeakable occurred, and its aftermath. 

Picking up where we left off (259: Sgt. Pepper Olympiad ), lecturer/professor Gary Wenstrup and I resume the Olympiad series with a pair of releases featuring film score music, the 1967 Magical Mystery Tour EP/album and 1969's Yellow Submarine release. Owing to the unique issues, with the latter representing only four new Beatle songs and the former being a six-song double 7" set, we got creative with the tracks reviewed. 

Previous installments can be found here.
Gary Wenstrup's site is here. 

There's no joy to be had in this subject, but it is an important topic for an open discussion. We have been fed a narrative for 43 years regarding the murder of John, yet there were aspects that either lacked detail or, upon closer inspection, made little sense. At least a couple of of authors have published books on the case, but documentary-maker David Whelan has approached the subject with fresh eyes, resulting in three years of research and interviews that he presents in Mind Games: The Assassination of John Lennon. He makes the case that virtually nothing we were ever told about what happened is supported by evidence and much is substantially contradicted. We managed to touch on only part of his research in this conversation, but you can learn more through the book, David's Substack site, and his YouTube channel.  

The author of Shout: The Beatles In Their Time has brought out his third Beatles individual biography, forty plus years after the publication of his group one. George Harrison: The Reluctant Beatle was put together tapping Norman's body of old interviews (with witnesses now beyond reach) as well as fresh research and new conversations (including his star witness, Pattie Boyd). The complexity of the subject matter is matched by the complexity of the narrator, who through series of unforced errors has led many a Beatle fan to view him with scorn. But SATB has always been about opening doors rather than shutting them, and if one is prepared to listen without prejudice, one can make up one's own mind on the value of what he has to say about George in this book. 

We have discussed the insights of 1st gen fans who, frankly, were screamers in the presence of The Beatles (Debbie Gendler, author of this upcoming memoir and Carol Tyler, author of this one); see thisfor a detailed discussion.    

Then there's Sibbie O'Sullivan - a high schooler when Deb and Carol were middle-schoolers. She too was swept up in the wave of mania in her native Maryland; like Deb, she witnessed an in-person Ed Sullivan Show taping, but unlike many girls, she did not scream. Her book, My Private Lennon: Explorations From A Fan Who Never Screamed, offers a series of essays, rich with insight and perceptive observations about her very personal fandom and what The Beatles meant to her, then and now. Leading the discussion is Dr. Allison Bumsted, who is cultivating a specialty in examinations of Beatles fandom.      An essay by Sibbie here.    Allison's review of Sibbie's book here. 

This British journalist/author/screenwriter/playwright is a SATB fave and was heard most recently among the 21 guests in the "Now and Then" discussion. But here he is alone in the spotlight, recounting his fabulous life as a chronicler of creators and a creator himself. Check out his website for a full accounting of his works - https://www.rayconnolly.co.uk/ - and this show for a discussion of his 2023 memoir. 

Ray was friends with The Beatles and the screenwriter of THat'll Be The Day (1973), Ringo's finest film project. He discusses all and much more here. 

The release of a new Beatle recording in our lifetime warrants a special approach. To that end, I assembled a group of some of your favorite podcast guests, plus a few new ones to discuss, critique, and analyze the new Beatle record. Folks representing a number of geographical and generational perspectives weigh in with their insights and observations.

In alphabetical order, they are:

Nancy Lee Andrews (Photographer and Author, A Dose of Rock 'n' Roll) 
Dr. Allison Bumsted 
Ray Connolly (British journalist and Beatles insider, author of Born At The Right Time and Being John Lennon, etc.)
Richard Courtney (Beatles radio host and author, From Me To You)
Dennis Diken (The Smithereens)
Dr. Duncan Driver (University of Canberra)
Dr. Christine Feldman-Barrett (Author, A Women's History of The Beatles) 
Debbie Gendler (Author, I Saw Them Standing There)
Glenn Greenberg (Author of Beatles bookazines)
Cameron Greider (Musician and musicologist, RPM-School.com )
Jerry Hammack 
Chip Madinger
Skylar Moody
Dr. Sibbie O'Sullivan
Dan Rivkin
Luther Russell
Arion Salazar
Pat Sansone
Carol Tyler
Erin Weber
Gary Wenstrup  

The first half hour+ was taped live at The Fest in August 2023, as you can doubtless tell. The rest was done in the usual way, and you'll note we didn't necessarily cover everything we listed in great detail, but that's showbiz. 

Here's Erin's list:   1. A Hard Day's Night film 2 and 3. The Internet. Two slots because I see it impacting the historiography in two major ways: First, it has vastly increased accessibility to primary sources and research materials that in previous decades were extremely difficult to find. Second, its fundamentally changed the fandom experience thru podcasts, discussion boards, etc.  4. Hunter Davies: The Beatles - An Authorized Biography 5. Lennon Remembers/Rolling Stone 6. Mark Lewisohn: The Complete Beatles Recording Sessions 7. Philip Norman: Shout! 8. The Beatles Anthology (mainly the documentary, but the book, too).  9. Barry Miles: Many Years From Now 10. Christine Feldman Barrett's A Women's History of the Beatles   Here's mine: 

      Influential

Red and Blue albums

The Beatles: An Illustrated Record by Roy Carr and Tony Tyler

Shout!

Lennon Remembers

Here, There and Everywhere by Geoff Emerick

 

Important

The Beatles and The Historians by Erin Torkelson Weber

Lewisohn Chronicles/Tune In

Love Me Do by Michael Braun

The Beatles: An Authorized Biography

A Women's History of The Beatles

  What's your list look like?

Between 1970 and 1979, George issued six studio albums (plus one triple-live one), followed by a second draft of his 1980 album the following year. Rock scribe Eoghan Lyng and I re-examine these works with fresh ears - we hope you will too. 

Eoghan's book: https://www.amazon.com/George-Harrison-70s-Eoghan-Lyng/dp/1789521742 

The Beatles were the end result of an array of confluences, circumstances and influences. On the short list near the very top (if not THE top) was American rocker Buddy Holly. In his short career, he wielded his influence on the budding Liverpool rockers in an array of ways, which returning guest Luther Russell and I discuss here. Though his time on earth was brief, the impact he made casts a long shadow, as he provided an unwitting blueprint on what a successful rock artist looked like, sounded like and could aspire to.  

Conversations about a familiar subject with guys who know what's what are invaluable, because the depth of knowledge shared will always shed new light and get you to listen with fresh ears. My guests are the returning trio of pro musicians and musicologists: Cameron Greider (Sean Lennon), Jack Petruzzelli (Fab Faux) and Walter Everett (The Beatles as Musicians Vol 1 and 2). You've heard their insights on previous shows, and this time they counter some myths that have grown about The Beatles' most acclaimed album, focusing on the guitars.    Their Sgt. Pepper online class at RPM-School begins October 2 - you can see about registration and other details here.

The author of Nowhere Man (2000) returns for a conversation prompted by the book's recent re-publication, augmented with an array of new material and appendices. Robert will also be making a rare personal appearance in St Louis on October 4th in St. Louis - details here.    Among the subjects we talked about this time round were: 

May Pang Fred Seaman Early 1970s US politics and its coverage in Observation Post His upcoming book, tentatively titled No Future John's opinion of Double Fantasy Jack Douglas  John's murder The Manchurian Candidate Theory  Robert's purported role in John Lennon's murder   Robert's website and blog can be found here. 

Returning guest and renowned producer John Leckie is back on SATB and this time he brought his friends; colleagues from EMI with impressive credentials of their own, who also worked with The Beatles: Nick Webb and Roger Ferris. 

It was a real delight to be a fly-on-the-wall as three guys who've known each other for decades spun stories about working at the most famous recording facility on earth, and the clients they supported. Among the topics that came up:  What well-known event coincided with the day John Leckie interviewed for a position at EMI Quick takes on George Martin - Norman Smith - Geoff Emerick - Ken Scott - Ken Townsend - Alan Parsons - Peter Bown and other EMI staffers Stealing from Mick Jagger Their takes on Get Back The 1971 Wings Launch Party Phil Spector Sessions for "All You Need is Love" and "You Know My Name" Seventeen Watts by the late Mo Foster In the studio with Paul and Wings IRA bomb scares of the 70s John and Yoko's curry plus loads more...

As a follow-on to my last conversation with author Glenn Greenberg, we sat down to explore the Harrison-Lennon dynamic.

A couple of things referenced in the show can be found below:    Here's John's 1974 note to George.    Here's John's 1976 Q&A.    Glenn Greenberg's Making of the White Album bookazine can be found here.     "I Know It's True" (end song) by Iamaphoney can be found here. 

Journalist Steve Matteo has a new book out - Act Naturally: The Beatles on Film.  It's an all-encompassing volume detailing and contextualizing the making of every one of their cinematic projects, including a few that didn't actually get filmed. 

For this first discussion, we focused on their first two, both directed for United Artists by Richard Lester and produced by Walter Shenson. 

My guest today has recently completed the first volume of an exhaustive study of Paul's body of work in Paul McCartney: Music is Ideas 1970 - 1989. Luca Perasi is a Beatles historian who specializes in the group's bassist, post-split. He was a consultant hired by MPL for the recent 7" single box set, as well as the Italian translator for Paul's The Lyrics book. 

For our first discussion, we focused on the broad parameters of Paul's art, pre-Beatles through the first Wings album. Luca's book discusses every McCartney session and the music it yielded, whether released at the time or not, for a greater context into Paul's musical development. You can find out more at Luca's site, and I encourage you to follow him on Twitter (@LucaPerasi ) for daily postings featuring amazing rare photos of Paul at work. 

Hired as a tape op by EMI in February 1970, Leckie quickly found himself among rock royalty when his career began with work on Ringo's Sentimental Journey, followed quickly after with McCartney. But his major immersion with the cream of rock's musicians soon came with the All Things Must Pass project, placing him at the service of George Harrison and Phil Spector and with a team that included Ringo, Klaus Voormann, Eric Clapton, The Dominoes, Gary Brooker, Peter Frampton, Phil Collins, Gary Wright, Billy Preston and Badfinger, among others. 

This conversation focuses on that landmark album. Joining as co-host is author/producer Jerry Hammack (The Beatles Recording Reference Manual series), with a cameo from Luther Russell. Jerry's latest book has just been published: Home Studio Recording - The Complete Guide. 

John was a previous guest discussing the making of John and Yoko's respective Plastic Ono Band albums, as well as alongside his previous collaborators Derek Forbes (Simple Minds) and Ian McNabb (Icicle Works) for a conversation on Peter Jackson's Get Back film. His excellent recall of events he witnessed as well as insights as someone with some amazing career achievements (Roy Harper, Be Bop Deluxe, Pink Floyd, Wings, Radiohead, XTC, Stone Roses, and so on) to his credit make this conversation something special.   

Tony King was general manager of Apple US in the early 70s, but thereafter worked directly with John and Ringo, promoting their work from 1973 through 1975. Beyond that, he was a true British rock Zelig figure, partying with The Beatles the night before they flew to America for their 1964 Ed Sullivan Show debut; working with Andrew Oldham and the Stones during their "Satisfaction" heyday; thereafter for George Martin and AIR Studio, and then Apple. He also befriended Elton John (before he was) as well as tons of others. His story has just been published in "The Tastemaker: My Life with the Legends and Geniuses of Rock Music." (He's also in the May Pang doc, The Lost Weekend: A Love Story.)

You can get his backstory here: https://www.gq-magazine.co.uk/music/article/tony-king-interview      and see him as "the Queen" in this 1973 Mind Games TV ad: https://youtu.be/lx-DNpoKfVg   We covered a ton of topics, including all the aforementioned plus the AIDS tragedy and his favorite music.  

The series with professor/lecturer Gary Wenstrup continues as we rate tracks on each Beatles album in Olympic style: Gold - Silver - Bronze. This episode introduces a modification, adding in for consideration the singles that bookended the 1967 release: "Strawberry Fields Forever"/"Penny Lane" and "All You Need Is Love"/"Baby You're A Rich Man." 

Check out Gary's upcoming lectures at garywenstrup.com

"The Lost Weekend" was the handle John implemented (picked up by subsequent narrators) to describe the period of his separation from Yoko, during which time a romantic relationship began with his 22 year-old personal assistant, May Pang. Once the couple reconciled, May's impact on his life was swept under the rug in all sanctioned tellings, in the service of a narrative propping up the John and Yoko love story as the ultimate double fantasy: literally describing themselves as Robert and Elizabeth Barrett Browning incarnate. 

Others beg to differ and among them is May herself. Her story was told twice in book form (Loving John and Instamatic Karma) but now a new documentary film chronicles their time together on the big screen, supported by other witnesses and loads of photos, footage and writings. The Lost Weekend: A Love Story is coming to theaters, while an exhibit of May's photos has already hit the road across the US.    Here's where to track the latest on May's photo exhibit and the film: https://www.maypang.com/

I asked for your questions last summer and you responded, so here you go! Aided by Gary Wenstrup (SATB regular of Olympiad series fame), we tackle the following subjects: 

The "aaahs" on "A Day in the Life"
The end of touring Beatles '76 Live Aid A psychological exam of John and Paul's relationship Mimi Smith's parenting The "Come Together" lawsuit George on Sgt. Pepper
Where were you December 8, 1980? 
Myths that won't die

Check out Gary Wenstrup's lectures here: http://www.garywenstrup.com

Gary's December 1980 review of Double Fantasy here.   Send further questions to: [email protected]

Fifty years on, Ringo's third solo album (or first, as he counted it in 1977) remains a stunning achievement, not just for the near-Beatles reunion but also on its own musical merits. With Richard Perry in the producer's chair, an array of talent was rallied in support of the beloved ex-Beatle, resulting in something greater than the sum of its parts. At Perry's side was engineer Bill Schnee, who'd worked with him on hits by artists like Streisand, Nilsson, Carly, Leo Sayer and many others. Schnee has penned a memoir, Chairman at the Board, detailing a career that began with Three Dog Night and encompassed artists ranging from Steely Dan and Neil Diamond to Michael Jackson and Whitney Houston. Schnee has been a mixer/remixer, engineer and producer in support of the rich soundtrack of life for anyone enjoying music during the 70s and 80s and beyond. 

Bill was there at the right place and the right time to take full advantage of his gifts and creativity. His book is rich with stories, and in this conversation, we discuss his work with all four ex-Beatles, mostly but not entirely in support of Ringo. 

Check out his website - https://www.billschnee.com/    This podcast is sponsored by BetterHelp. Go to betterhelp.com/satb for 10% off your first month of treatment. 

No one on the planet knows more about the contents of The Beatles' Nagra reels than Beatle scholars Doug Sulpy (Drugs, Divorce and A Slipping Image) and Dan Rivkin (They May Be Parted blog). We convened to review the Get Back film and discuss how well it depicted the events revealed by the extant audio.    Doug's works can be found at www.dougsulpy.com   Dan's blog is here: https://theymaybeparted.com/ 

Returning guest Glenn Greenberg (216 Dear Friend; 223 The Beatles 1971 - 1973; 235 Paul McCartney and Brian Wilson at 80) is back for another discussion, this one examining the complex relations between George and Paul - the longest running friendship in the band.    This podcast is sponsored by BetterHelp. Go to betterhelp.com/satb for 10% off your first month of treatment.  

This show was taped a month ago, in conversation with Yardbirds/Renaissance/Illusion founding member Jim McCarty, in an effort to widen the lens exploring the world of 60s British rock that The Beatles operated in. Sadly we find ourselves now memorializing his friend and bandmate, Jeff Beck - a giant of guitar whose boundless brilliance we were privileged to witness. So it is in the spirit of celebrating the legacy of Jeff and The Yardbirds as well as McCarty's creativity that this show is presented. If you are already a fan, I know you will enjoy it; if you are new to this band, I hope the music and story presented will set you off on your own discoveries. 

Jim McCarty was far more than The Yardbirds' drummer - he sang and co-wrote, as well as collaborated with singer Keith Relf beyond the band's lifetime. They recorded together and formed Renaissance, as well as Illusion. McCarty also was part of the latter-day Yardbirds iteration, Box of Frogs, featuring contributions from Beck and Page. Jim has also recorded prodigiously, as a soloist as well as a collaborator on numerous projects.     He has also written a pair of books: 2018's Nobody Told Me (featuring a foreword by Jimmy Page) about his life in music, as well as the more esoteric She Walks In Beauty (2021), presenting his exploration into the world beyond this world and the answers he found when seeking communication with his late wife, Lizzie. Jim is a canny, insightful storyteller, and both books include much on what he's learned in and out of music. You can find all his info at http://www.jamesmccarty.com/    This podcast is sponsored by BetterHelp. Go to betterhelp.com/satb for 10% off your first month of treatment.  

Author Susan Shumsky first appeared on SATB in 2019, upon the publication of her memoir, The Maharishi and Me, which detailed her twenty years living at his ashram (including six years working directly for his organization). We discussed her knowledge of The Beatles' Rishikesh sabbatical then, but with her new book, The Inner Light, she goes deep with an exploration of how their interactions with Indian culture and the TM movement impacted their lives and their art. In the course of over 500 pages, she gives chapter and verse on the manifestations of these interactions, sometimes hiding in plain sight, that appeared in their music. 

Musicologist Walter Everett joins professional musicians Cameron Greider and Jack Petruzzelli in a return visit to discuss the latest Beatles reissue set. Revolver is analyzed through the prism of its poetry as well as its musical maturity and what the new set reveals in terms of The Beatles' major artistic advance.     Check out the upcoming Revolver class here: http://www.rpm-school.com    This podcast is sponsored by BetterHelp. Visit http://www.betterhelp.com/satb for 10% off of your first month of treatment. 

Between 1963 and 1969, The Beatles issued ephemeral holiday greetings to members of their fan club on flexidiscs. These were collected onto an LP in 1970, but for the most part, escaped a proper issue for the masses (excepting the 2017 limited edition set). 

In this holiday edition of SATB, Gary Wenstrup (Beatles Olympiad shows) and I take a deep dive into the history of these recordings, providing context and analysis. In their way, the seven messages serve as a microcosm of the group's career, reflecting the state of the band each year. 

You can hear the entire collection here: https://tinyurl.com/23v8vuwe  

"Beatles Christmas Supermash" by Tom Teeley. 

This podcast is sponsored by BetterHelp. Go to betterhelp.com/satb for10% off your first month of treatment.  

Returning SATB guest favorite Ray Connolly (journalist, Beatles insider, screenwriter) penned what remains the finest Lennon bio in print, Being John Lennon: A Restless Life. On this, his 82nd birthday, we celebrate John's life and Ray's as well as we discuss a wide array of topics with someone who knew John well: a journalist friend and confidant. In this far-reaching conversation, we touch on topics including the Get Back film - drug use - Michael X and James Hanratty - the abominable behavior of Phil Spector's entourage - skiffle - Mimi and Yoko - the "Working Class Hero"project - the Lennon-McCartney creative partnership - Ray's interactions with the Lennons during the last hours of John's life - and more.    Ray's works can be found on his website here.    Ray's miraculous COVID story here.  

An entire book dedicated to a single song may strike some as bewildering, but not if the song in question is both The Beatles' longest single (in length) as well as one of their most successful (quadruple platinum): 1968's "Hey Jude." Deceptively simple and universally appealing, the Apple Records debut marked an astonishing launch to their label while serving as an anthem of healing during a tumultuous year - in the world as well as within the band. 

Author James Campion (Take A Sad Song: The Emotional Currency of Hey Jude) discussed the song with returning guest Jeff Martin and I for nearly two hours. You too will discover what James did - that uncovering the magic and pull of this recording is something that will take you farther than you can imagine. 

This podcast is sponsored by BetterHelp. Go to www.betterhelp.com/satb for 10% off your first month. 

In which the worlds of three returning guests collide to discuss 1) is there (or should there be) a common starting point for all critiques of art and 2) the world of rock criticism generally - what's the purpose and where does it go wrong? 

Dr. Allison Bumsted is a popular music scholar, specializing in teen magazines (Teen Set in particular) and has written extensively on rock criticism on the 60s and 70s. She appeared on SATB here and here. 

  Kyle Driscoll is a writer for Medium.com and this article is where the conversation began: 
https://medium.com/@kpdriscoll33/the-art-of-quantifying-art-663729c02c89    He was on SATB here. 

Bill Wyman has been writing and reviewing art and music for 30 years for outlets ranging from the Chicago Reader to NPR, EW, WSJ and currently with New York and Vulture.com His ranking of The Beatles list can be found here.  His SATB appearances include this and this. 

Check out the Beatles Song Sorter here.   

Are you Get Back-ed out yet? No? Good, because there are still plenty of avenues to explore within the scope of January 1969. Featured today is something from the vaults: the conversation reuniting three witnesses to the events on Savile Row on 30 January, 1969: Apple press office deputy Chris O'Dell, Beatles equipment manager Kevin Harrington, and EMI tape operator Alan Parsons; yes, the eventual producer and recording artist himself. 

This was taped live at the Fab4ConJam event in February 2021 and therefore before Peter Jackson's film had been screened. Therefore, their recollections come purer: what they remembered and how they remembered it, unaffected by any more recent info coming their way. They all experienced the day from different perspectives, but over 5 decades on cannot help but be moved by what the were a part of, all these years later. Co-hosting is Beatles author and podcaster Anthony Robustelli. 

This podcast is sponsored by BetterHelp. Go to betterhelp.com/satb for 10% off your first month of treatment. 

Returning guest Robert Rosen (Nowhere Man) penned an essay last year discussing a phenomenon called "catch-and-kill," wherein the powerful who wish to keep unflattering stories from reaching the public exert pressure and influence to keep media companies from publishing them. In the instances he wrote about, a pair of book projects detailing life at the Dakota during John Lennon's final five years were suppressed, for no apparent reason beyond the estate wishing to keep any variance from the narrative they have been controlling for decades to be challenged in any way. This led to a discussion on the why and the how these stories are being kept hidden, despite the legitimacy of the narrators.     Here's to link to Robert's article in the Village Voice:
https://www.villagevoice.com/2021/12/07/mike-tree-in-john-lennons-nutopia/    This podcast is sponsored by BetterHelp. Go to betterhelp.com/satb for 10% off of your first month of treatment.

Luther Russell and I roll into the next hour of discussion and analysis of the intent behind Double Fantasy; about Yoko's standing in the rock world, and how The Beatles might better have dealt with her entry into their world. The album is ripe for a fresh listen, and no matter how you may rank it in the canon, is certainly worthy of an extended discussion as a release so heavy with meaning.    Enrollment open now for Why The Beatles? - an online 3-session course beginning in October: 
https://ce.harpercollege.edu/search/publicCourseSearchDetails.do?method=load&courseId=9470614&selectedProgramAreaId=27039&selectedProgramStreamId=508576   This podcast is sponsored by BetterHelp. Go to betterhelp.com/satb for 10% off of your first month of treatment. 

Given the unique circumstance of Double Fantasy - John Lennon's first work in five years and his slaying within a few short weeks of its release - it is hard to assess the final work issued during his lifetime; a joint effort with his wife, Yoko Ono. Its initial tepid reception gave way to it serving as a place for mourners worldwide to project their grief, and has, for some, grown to status as perhaps his finest work. For others, it pointed to evidence of his irrelevancy in a world that had changed during his time away; for still others, it was a showcase for Yoko being in far more tune with the times than the former Beatle. 

Singer-songwriter/performer Luther Russell (solo artist, Those Pretty Wrongs) returns to the show to make the case for the album representing peak Lennon-Ono collaboration - the culmination of their years together. He argues that it is ripe for reassessment, just as Ram was. See what you think during the first hour of our discussion.    My "Why The Beatles?" course is here: 
https://tinyurl.com/3xe56k86    A sample of Sarabeth Tucek's work:
https://youtu.be/CTFfoc4aeYg   Luther Russell's YouTube channel:
https://www.youtube.com/channel/UCmDA0CTEdPNeCuZ_I4nAJZA   This podcast is sponsored by BetterHelp. Go to betterhelp.com/satb and receive 10% off your first month of treatment. 

In which Gary Wenstrup and I continue the discussion of Revolver, followed by a thorough analysis of the group's OTHER 1966 UK release, A Collection of Beatles Oldies (But Goldies!). 

This podcast is sponsored by Betterhelp. Go to betterhelp.com/SATB for 10% off your first month of treatment.  

Taking a detour from some of the heavier SATB topics of late for end-of-summer light entertainment, Gary Wenstrup and I return to the series of gold, silver and bronze rankings of Beatle cuts through their catalog. We're at the halfway point now as The Beatles turned the page from a touring to a studio band, but not before a final blast of nostalgia by years' end. 

Returning guest Terry Zobeck (234: Paul McCartney Lyrics ) spent his career studying drug addiction and its effects. With a PhD in anthropology besides, this Beatles scholar is uniquely qualified to discuss the Joe Goodenn's book, Riding So High: The Beatles and Drugs. (Here's Erin Weber's review.)    Our conversation covers a lot of ground, but mostly concerns itself with an informed perspective on how particular drugs affect the brain and behavior of users. 

This podcast is sponsored by Better Help. Please go to betterhelp.com/satb to get 10% off your first month.  

In the time since publishing his memoir, The Redhead on the Roof and first appearing on SATB (160), Beatles equipment manager Kevin Harrington has now become known to millions of fans by his ubiquitous presence captured on film and presented in the eight hours of Peter Jackson's Get Back. It therefore was time to bring him back to get his reaction to the film and drill down deeper on his experiences working with The Beatles. 

As part of the Fab4ConJam online fan event, I convened these two Beatles insiders to take questions and reminisce. Chris O'Dell came from Tucson, AZ (yes! home of Jo Jo AND Linda) and was pulled into the Apple Press Office by Derek Taylor. She was a rooftop attendee as well as a one-time resident of Friar Park, witnessing the daily drama of the group as it ended, along with George and Pattie's marriage. She recalled her experiences in 2009's Miss O'Dell: My Hard Days and Long Nights with The Beatles, the Stones, Bob Dylan, Eric Clapton and the Women They Loved.   Nancy Lee Andrews was a model, actress and briefly, in the music biz as well as a photographer. More importantly, she was Ringo's romantic partner from 1974 through 1980, and likewise a witness to much of the inside relations between the former Beatles. (She also attended the Concert for Bangladesh as a guest of her then-boyfriend, bassist and future Domino, Carl Radle.) Nancy's book of spectacular photos was published as A Dose of Rock 'n' Roll in 2008. 

These women have maintained a close friendship since the 70s and it was our treat to hear them recall those days during this terrific conversation. 

He's known to millions, in the words of Arthur C. Clarke, as ?The most famous unknown actor in the world.? Richter was a mime (and a poet) during the 1960s, but also gained cinematic immortality as "Moonwatcher" in the iconic "Dawn of Man" sequence in Stanley Kubrick's 2001: A Space Odyssey. This in itself would be enough to stir our interest, but Dan was also intimately involved with John and Yoko as a personal assistant for five years, during which time he helped manage their film and recording projects while kicking his heroin habit. He tells his story in compelling detail in his book, The Dream is Over: London in the 60's, Heroin and John and Yoko. 

Joining the conversation is guest co-host Ian McNabb (see SATB 234). The conversation covers Dan's time with the Lennons, as well as work on 2001 with Stanley Kubrick.   

One of the things that's kept Beatles fans captivated was their refusal to stay still and how each album felt like a progression into new territory. That said, as you delve deeper into the structures and configurations of the band's music across their discography, there are certain tools, tricks, and ideas that they used and repurposed to great effect. In today's episode, returning guests Jack Petruzzelli (Fab Faux) and Cameron Greider (Sean Lennon) sit down to discuss some of the most notable and how the band helped rock 'n roll to expand, becoming richer in the process. (Rock, not The Beatles, though there's that too...)

We discuss Paul's links to Bach, John's connection to the blues and more static melodies, and how all the strands of musical history came together to create the vocabulary that we can observe and appreciate in their music.   Jack and Cameron operate the RPM School (Rock Pop Music) and their next session is just days away: details can be found here: 
https://www.rpm-school.com/ 

Two master craftsmen of pop/rock, born two days apart; both possessing a good number of commonalities as well as some major diverging paths. My returning guest, journalist Glenn Greenberg (Paul McCartney at 80) and I discuss their friendship and rivalry, as well as what each learned from the other.    Here's the 1967 CBS TV special, Inside Pop: The Rock Revolution: https://youtu.be/vyiGFRj5b-k    The Brian Wilson/"Surf's Up" sequence appears 50 minutes in, but the earlier "debate" between Graham Nash and Peter Noone is worth the price of admission alone. 

In the latest effort in a line of works presenting his side of his own history (which include Many Years From Now, Wingspan, the McCartney 3 2 1 docuseries as well as Anthology), Paul McCartney published The Lyrics: 1956 to the Present in 2021. It was in collaboration with Irish poet Paul Muldoon, an as-told-to project where he got deep into his recollections about a selection of his works, pre, during and post-Beatles. But the book is deeper than that: his observations detailing his entire life from boyhood in Liverpool onward were sparked by the 25 hours of conversations he and Muldoon had. 

My guest is Terry Zobeck: a first-generation Beatles fan and collector who reviewed the book for Doug Sulpy's 910 newsletter. The most recent issues also feature the first two parts of his three-part critique of The Beatles Get Back docuseries. All of Doug's writings, including the indispensable Drugs, Divorce and a Slipping Image (revised edition) can be found at www.dougsulpy.com  

After shows post-Get Back with guests representing American musicians, multi-generation female fans, and the film's maker (Peter Jackson), conspicuously missing from the SATB conversation to this point has been the POV of British fans/musicians. No longer: today's guests are drawn from the UK music scene and ALL have a deep fandom for The Fabs - some have even worked with one or more. 

Producer John Leckie first came to SATB in late 2020 to discuss his experiences working on John and Yoko's 1970 Plastic Ono Band albums; thereafter, he appeared at Fab4ConJam to recall working on All Things Must Pass. Afterward, his career during the '80s and beyond included working as producer for some top UK talent, including, Stone Roses, XTC, Radiohead...and Simple Minds. By sheer happenstance, John has worked with BOTH of his co-guests, who are new to SATB: bassist Derek Forbes worked with a number of Scottish acts, including The Subs, Simple Minds, Big Country, etc, while Ian McNabb fronted The Icicle Works: "Birds Fly (Whisper to a Scream)." ALL are hardcore Beatle fans going back a ways, and each fully immersed themselves in the 8 hours of Get Back.

But the conversation ran far broader, covering their fandom during the 70s, working with an ex-Beatle, the Liverpool scene post-Beatles, Stiff records, musical influences, Dan Richter, Mickie Most, Wings, and a lot more. It's a freewheeling conversation and you haven't heard the last of these guys on the Something About The Beatles podcast.   

Long on the list of my coveted guests has been singer-songwriter Sam Brown. The daughter of Joe Brown - an early UK rock legend - and Vicki Brown - an astonishingly gifted singer herself - Sam's career as an artist kicked off in 1988 with Stop!, the first of seven albums. (The first letter of the titles spell out her name - the 8th installment, titled Number 8 is due out this year.) Sam is also known for singing with Pink Floyd and David Gilmour, as well as on television and on tour with Jools Holland. It was with Jools that Sam took center stage at the 2002 Concert for George, stealing the show with her reading of George's last recorded composition, "Horse To The Water." 

She has remained active as a performer and a recording artist, despite tragically losing her ability to sing in 2007, following surgery. The mysterious condition forced a re-think of her career and led to her establishing a decade-long running school empowering folks to take up ukulele. In this conversation, we discuss her career and the struggles of being an artist - her friendship with the Harrisons and working with George - the concert - and how she's managed the challenging events that followed. 

Sam is resourceful and an artist whose rich catalog is worth exploring. You can check out her work here: 
https://open.spotify.com/playlist/37i9dQZF1DZ06evO1Tns40    Vicki Brown's farewell to fans: https://youtu.be/b0SCoEu_9oM   Joe Brown sharing a 1964 stage with The Beatles: https://youtu.be/GjNB-2Bq6ag   Sam at Concert for George: https://tinyurl.com/34un27f6    "Stop!" live: https://youtu.be/WROOE-0IfjE  

"Valentine Moon" - fixed: https://tinyurl.com/548b7ssb